UPDATING OCCASIONALLY (FOR NOW)
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13 thoughts on “539 – A Knife In The Dark (END OF EPISODE 22)

  1. Why am I not surprised.

  2. Typical, it’s always someone else’s fault. Revenge is not just best served cold, but by stupid too. “This is all your fault!” Which is wrong, but in his head, it’s right.

    1. It’s also been heavily hinted he has already been brain washed by the zombie worshiping cult.

      1. Which, no doubt, made easier because of that under-lying feeling. People are always looking for a scape-goat…

    2. I don’t know if you got my callback by intent or not, but it’s great to see almost the same words echoed! https://www.zombieranchcomic.com/comic/203-breaking-worst/

  3. Honestly, probably the first time he’s ever taken control of and done ever in his life. There’s a reason why they kept him. Give a dog that’s been beat all its life a whiff of conference and control, you got a problem.

  4. Imagine his surprise when he stabs a pillow. 😜

  5. He isn’t in control, RC – he’s probably drugged to the very dilated eyeballs, probably with Datura. Back on p.443, Eustace is shown holding a Mojave Rattlesnake on a stick while the Brujefe milks it into a glass. Mojave venom A is a paralytic neurotoxin, like tetrodotoxin. Tetrodotoxin was thought to be part of the legendary Haitian “zombie powder”. The other part was Datura, which contains scopalamine, which messes with memory and concentration, and is supposed to render victims docile and suggestible.
    The question is, where did he get his current dose, and did a little drone whisper in his ear?

    1. Except Datura doesn’t do that. You’re thinking of the compound Scoplolmine (AKA the devil’s breath) which generally comes from a specific plant, Borrochero (Brugmansia arbora) that is native to Columbia that the gang in question probably would have had access to. It’s active compound obliterates free will, your conscious, you can function as normal but you are totally open to suggestion which is what happened to McCarty here. Datura just makes you trip mad balls and maybe die, but it does not make you a puppet.

  6. Dr. Norman (not a real doctor)

    Me lleva la chingada !

  7. I’m betting money there’s no one in that bed and it’s a ruse to get him caught.

  8. I agree, the question is, will she just shoot him, will she have him added to the herd, or keep him alive to question him?

  9. Dr. Norman (not a real doctor)

    [Zombatar] and [TKG], please resend cocktail recipe. My efforts to date yield only a foul taste and a mild buzz.

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539 – A Knife In The Dark (END OF EPISODE 22)

Happy Holidays, all! That's a wrap (heh) for Episode 22 just in time for a Christmas cliffhanger! Hope we don't twist the knife too much...

See y'all in 2025 when Zombie Ranch continues!

Ch-ch-ch-changes!

You know, we’re still on hold but I’m tired of seeing my ugly, busted-up foot in the blog entry and I’m sure you all are, too. The exterminator is coming again tomorrow morning for another inspection and hopefully, hopefully we’re going to get an “all clear” at long last. In the meantime we did at least get our Volume 2 book off to the presses to hopefully meet our November timeframe we promised on our Kickstarter. Yay for already finished art and digital workspace that’s not tucked away in a box or has a box in the way. Anyhow I figure some of you might be passingly interested in what I’ve been doing all these months since the Kickstarter ended so I wanted to show you a side-by-side of the before and after of an original page vs. the page we sent off to the printer. Here ’tis: The first thing you may note is the extra white space around the edges. This is added because during the printing process printers want what’s called a “trim,” which is basically extra room around the art so nothing gets cut off. “Bleed” is another related concept and you may still see pages in the book where the art extends all the way to the edge, or nearly so, but most importantly there’s a third imaginary border defining what’s called the “text safe” area and you want to keep all your word balloons within that. So the art has to be slightly rescaled to keep its proportions and make sure that it looks good when trimmed. In addition, when you’re dealing with a 200-plus page book another factor to keep in mind is the binding. If the white margin on the left of the revised page looks bigger than the right, good eye — that’s intentional. This will be a right side page in the book so I’ve adjusted slightly to make sure nothing gets lost in the “spine” when everything is put together. I had to do the opposite for all the left side pages, and then lined up left and right in Photoshop to make sure they looked properly even. In addition to that, I made a pass at the text and in some cases like this one even rearranged some word balloons I was never quite happy with. Hopefully it makes for some easier flow and reading. Also, yeah, I added a sound effect. Seemed right, plus there was a chink in the drawing of the tube where it fit perfectly. If this all sounds like a lot of work, especially repeated over the course of a couple hundred pages, well… yep. But it’s done, and I think I’ll be pretty happy with the end result. Which is important when you’re pulling the trigger on a print run costing well upwards of a thousand dollars! Now if we can just get our place fixed and cleaned, that’ll be nice, too.