UPDATING OCCASIONALLY (FOR NOW)

6 thoughts on “542 – Catching Up

  1. Some friction, but yeah. IRL, I’d like these two…they should have kids. 😉

    1. I might have to draw out what their kid would look like. First thought is that their kid would look like Ongo Gablogian from “It’s Always Sunny In Philadelphia”

    2. He’s pushing 60, she’s maybe 30, more likely less. Chuck is most likely shooting blanks, and besides, he’s talking to her like a baby sister than a love interest.

  2. It is really hard to have a favorite character, as there are so many good ones. But I think Rosa is my favorite. Chuck is a good accomplice in sneaking work, but not much for romance. Uugh.

  3. I mean, if they don’t have at least an inkling of what’s going down, I’m actually disappointed in Clearstream. If anything, I’m starting to wonder if they caught on and realized “Wait, we can use this.”

    Because of course they can. 😉

  4. Dr. Norman (not a real doctor)

    I’m way ahead of you – I’ve been waiting for you to catch up. From November 2020:
    I would hope for nothing less – her and Chuck have the potential for a great deal of positive mischief.
    Speaking of which, I received the email notifying me that my order for the NSFW “Chuck and Rosa Finally Do It” (age verification required) limited edition hardcover is going to be delayed due to the pandemic. I think it’s really cool that you’ll be adding some additional stretch goal goodies when it ships – thanks for all your story and art.
    As for the inscription, ” We owe it all to you ” will be sufficient.

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542 – Catching Up

Swinging for the fences

You know, sometimes I’ll explain the premise of Zombie Ranch to people and their response (for good or ill) will be, “Wow, that’s pretty bizarre.”

I can’t really argue that. Bizarre is part of the point. If we were doing just another bog-standard zombie apocalypse scenario, well… fact is we probably wouldn’t be doing this at all. As post-apocalypse settings go, the zombie option isn’t very unique in of itself.

On the other hand, if you came to me with a pitch that said, “this is a post-apocalypse world where the cities of Earth have been transformed into gigantic mobile fortresses and they rove around the wasteland eating each other for spare parts!” — that’s a more inherently unique concept. Certainly worthy of a “wow, that’s pretty bizarre.”

I’ve long been of the mindset that if you’re going to go over the same well-trodden tale in a well-trodden setting–say, a group of comrades in a fantasy world of elves, dwarves and orcs on a quest to destroy some Macguffin of evil–you better bring your storytelling A-game to the table. If you’ve got a more unique spin on things, then I’m going to cut you varying amounts of slack because you’re getting out and “swinging for the fences.” That’s an American baseball term about throwing caution to the wind and just chasing the pitch for all you’re worth… you might strike out horribly, but if you connect right you’re going to send that ball over the outfield barriers and earn yourself an automatic home run.

And in those cases you’ve got to at least respect the enthusiasm, and the fact that, yeah, gigantic mobile cities eating each other is a funkily fascinating idea to chase.

Is it going to get me out to see Mortal Engines in a theater? Probably not, because movies are frickin’ expensive these days. But again, a certain amount of respect even if it ends up in execution as total cheese (or worse, mediocrity).

Here’s the trailer, by the way, if y’all ain’t seen it yet. You decide.