UPDATING OCCASIONALLY (FOR NOW)
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11 thoughts on “539 – A Knife In The Dark (END OF EPISODE 22)

  1. Why am I not surprised.

  2. Typical, it’s always someone else’s fault. Revenge is not just best served cold, but by stupid too. “This is all your fault!” Which is wrong, but in his head, it’s right.

    1. It’s also been heavily hinted he has already been brain washed by the zombie worshiping cult.

      1. Which, no doubt, made easier because of that under-lying feeling. People are always looking for a scape-goat…

    2. I don’t know if you got my callback by intent or not, but it’s great to see almost the same words echoed! https://www.zombieranchcomic.com/comic/203-breaking-worst/

  3. Honestly, probably the first time he’s ever taken control of and done ever in his life. There’s a reason why they kept him. Give a dog that’s been beat all its life a whiff of conference and control, you got a problem.

  4. Imagine his surprise when he stabs a pillow. 😜

  5. He isn’t in control, RC – he’s probably drugged to the very dilated eyeballs, probably with Datura. Back on p.443, Eustace is shown holding a Mojave Rattlesnake on a stick while the Brujefe milks it into a glass. Mojave venom A is a paralytic neurotoxin, like tetrodotoxin. Tetrodotoxin was thought to be part of the legendary Haitian “zombie powder”. The other part was Datura, which contains scopalamine, which messes with memory and concentration, and is supposed to render victims docile and suggestible.
    The question is, where did he get his current dose, and did a little drone whisper in his ear?

    1. Except Datura doesn’t do that. You’re thinking of the compound Scoplolmine (AKA the devil’s breath) which generally comes from a specific plant, Borrochero (Brugmansia arbora) that is native to Columbia that the gang in question probably would have had access to. It’s active compound obliterates free will, your conscious, you can function as normal but you are totally open to suggestion which is what happened to McCarty here. Datura just makes you trip mad balls and maybe die, but it does not make you a puppet.

  6. Dr. Norman (not a real doctor)

    Me lleva la chingada !

  7. I’m betting money there’s no one in that bed and it’s a ruse to get him caught.

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539 – A Knife In The Dark (END OF EPISODE 22)

Happy Holidays, all! That's a wrap (heh) for Episode 22 just in time for a Christmas cliffhanger! Hope we don't twist the knife too much...

See y'all in 2025 when Zombie Ranch continues!

Talking it for granted…

If you own a copy of our first trade paperback, or you’ve browsed or been around for some of the extra content we’ve posted in the past, or been by our table at SDCC back when I was doing free “writer’s sketches” you will know this: I cannot draw. Oh I know all the refrains; that anyone can learn to be an artist. That it’s not a matter of talent so much as practice and dedication. Maybe so, but at this point it’s like learning a foreign language to me. I might be able to fake it enough to get my point across but the natural fluency of the native is well beyond my reach. What I never considered until fairly recently is that the same can apply to writing. Creative writing, especially writing dialog, seems to just come naturally to me. I enjoy it. I riff, I embellish, I play a tune and bring people dancing along. Enough of that metaphor though, since the only musical instruments I ever learned to play were piano and my own vocal chords and I am sorely out of practice with both. Which can definitely make vocal chords sore. Look, the point is that for the past few years Dawn has been trying her hand at writing and has been very frustrated with it. What’s the number one bit of sage advice she’s gotten from me and my writerly friends? “Just write.” Well, from her perspective that might as well be her telling me to “just draw.” Sure I can tell her to just barf out words onto her medium of choice and then go back and massage them into something meaningful, but she gets tripped up at step one much less step two. How do I make it look so easy? Well, maybe I do, but what’s not easy is trying to explain the process. Maybe that’s why “just write” was the popular answer. Maybe we writers are just a bitter and insecure lot who want to believe what we do is special but the general populace often doesn’t seem to think so. Think of the stereotype of every Tom, Dick and Harry (and distaff or enby versions thereof) saying that when they retire they will write The Great American Novel. It doesn’t really work out in practice, but the fact that that cliche is not retiring and composing The Great American Painting speaks to what I’m saying. So hearing someone actually admit they’re having trouble and coming to us in humble solicitude engenders a heady mixture of smug but also imposter syndrome and mistrust and we’re not quite sure how to answer, especially when put on the spot. You could tell them to take creative writing classes, but will those help? Hell, my own experience with creative writing instruction was that no one knew how to actually teach it, so they just found some narrow definition of “thing I enjoy” and graded you based on how closely you matched that. Sure, I can do edits on her rough drafts, but that invokes the adage of giving someone a fish versus teaching them how to fish. And I have to answer the question(s) for myself before I can even begin to think of helping someone else. I’ve begun to at least put together a thought or two, but for now I’ve rambled on long enough for one entry so I think I’ll save it for next time.