UPDATING OCCASIONALLY (FOR NOW)

3 thoughts on “536 – Great State Of Tech Sass”

  1. Anonymous

    Amusing spam above … Things are about to get weird with Casa De Chuck!

    1. Dawn

      Ugh, I try to get to the SPAM quicker but we have a new kitty and I have been distracted. It is gone now. 😀

  2. Anonymous

    New kitty tops spam any day … and I enjoy getting to see it in it’s brief lifespan.

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536 – Great State Of Tech Sass
Posted on October 30, 2024 by Dawn

Welcome to Team Paranoid, Oscar! Spoiler alert: they really are out to getcha!

Next comic page planned for Nov. 20th. In the meantime, please accept this documentary evidence of new kitten Morgoth as he discovers the enigma that is the empty soda box.

The tragedy of consistency…

Posted on November 8, 2017 by Clint
I don’t honestly see myself as a writer who takes pleasure in cruelty to readers, and yet here we are with Darlene dying and Eustace revealed as accomplice to her murder. I mean, for some of you this may well invoke joy. For many others, ambivalence. But at least a few of you have admitted to finding it gut-wrenching. And honestly, I share that pain. “Well in that case,” one might ask, “why don’t you not write this nasty fate for these characters? Why you gotta go all darkest-timeline-George-R.-R.-Martin on us?” Well. That’s a damn fine question, and one I’ve pondered myself when a story I’ve been enjoying takes a dark turn. I find myself quite short-tempered if I feel like it’s unjustified, even with a creative property widely hailed as a classic such as the movie Chinatown. Oh yes, I’m quite miffed at the ending of Chinatown, even with the movie telling me to “forget it.” That final line is based in the theme that bad things happen and bad people succeed and there’s nothing you can really do to stop them, but it’s all based on the main character, who has been portrayed all film long as a smart, cynical, experienced professional, surrendering himself and his only piece of hard evidence into the clutches of the antagonists for… well, no reason I’ve ever been able fathom really, excepting that the director wanted his tragic ending. Then again knowing what we do about Roman Polanski these days, maybe he didn’t consider that ending a tragedy… Anyhow, I desperately hope my own fiction feels a little more justified on analysis, and I’m heartened whenever I see someone in the comments puzzle things out — like for instance that Eustace, for all that he seems like a nice guy, is unfortunately rather spineless when it comes to standing up to a forceful personality ordering him around. It’s a tragic weakness, but a consistent one.