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An online webcomic about a group of cowboys/cowgirls and their Zombie herd.
An online webcomic about a group of cowboys/cowgirls and their Zombie herd.
4 thoughts on “534 – Compliments To The Cook”
Anonymous
Of course, the sleezer gave them expired food XD
Anonymous
Chuck acknowledged that the bucket “survival food” was old, with the potential of being bad, but admitting it still had the potential for being good! 🤣
Con in Pasadena? I had to check, Cali, not TX, tho they have smaller shows at the college, I figured not likely, as Pasadena/Deer Park is in the news again, for all the wrong reasons (again), after an SUV crashed into a LNG pipeline, turning it into a blowtorch.
Anonymous
Dangit! I *know* I put in my name and info!
Anonymous
Hi friends! Just felt like to communicate some exciting news—I’ve officially launched my own drywall repair business here in bright California! вЂпёЏ As a lifelong resident of the Golden State, I know just how important it is to keep your home in prime shape, particularly with our coastal climate. Whether you’re handling with cracks, water damage, or just in need of a little touch-up, my team and I are here to help out. So if you’re a homeowner in want of some skilled drywall repairs, look no longer. Let’s work together to keep those California homes seeming as lovely as ever. рџЏ
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#153. 147 – Turning Point (END OF EPISODE 6)
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#150. 144 – Cloudy With A Chance Of Pain
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#149. 143 – All Chucked Up
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#148. 142 – Not Even A Cigarette
13 Oct 17, 2012
#147. 141 – Three Up, Three Down
12 Oct 10, 2012
#146. 140 – Spoken Promises
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#145. 139 – Family Matters
10 Sep 26, 2012
#144. 138 – Dealing Out
14 Sep 19, 2012
#143. 137 – A Conscience Decision
11 Sep 12, 2012
#142. 136 – Teed Off
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#141. 135 – Fluid Mechanics
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#140. 134 – With Loot And Pipe
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#139. 133 – Mexican Standoff
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#138. 132 – Sideswiped
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#137. 131 – The Deadliest Catch
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#136. 130 – Gotcha Covered
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Latest Chapters
Episode 22
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534 – Compliments To The Cook
[EDIT: Dawn is nursing a sprained wrist so we'll be pushing back a week. Hopefully join us for a new page on Oct. 9th]
Hearkening back to the events of page 269!
Meanwhile, this weekend we're bringing Zombie Ranch to the wide-open spaces. Comparatively. The trade volumes will be among our offerings at the annual Pasadena ARTWalk at Booth #32 in the shady lanes of Green Street.
Stoicism and absurdity
“What explains the Westerns? World War II, I think,” Edlund says by way of comparison. “Where does the wounded fucking guy who can’t tell his pain to anybody — where does that come from? Where does emptiness, peace, and quiet as a fantasy come from? What is the story of all that shit?”
This put me in mind of a documentary called Five Came Back that Dawn and I watched not too long ago, which spent some time on famous Western filmmaker John Ford and how his military service in WWII informed his postwar work. You need only watch Stagecoach (1939) and The Searchers (1956) back-to-back to see a fairly gaping tonal difference even though the superficial elements are the same (including John Wayne being the star). Westerns of course predate the start of World War II, but it’s only after the war that you really start getting that genre feel of the lone man or small band of men on their own, often struggling to deal with a world that no longer seems to understand them or have a place for them. I’ve talked up George Stevens’ Shane (1953) before as the arguable ur-example of this, and wouldn’t you know it, Stevens was on the frontlines of WWII as well. What also struck me about Edlund’s quote was thinking back to how The Searchers unabashedly interrupts its dark existentialism towards the end for an absurdly staged, lengthy fistfight at a wedding party, complete with one of the guys involved all but calling a time out while he gets someone’s abandoned fiddle out of the way before the next punch. It goes on for so long and is so comically bizarre that the only comparison I have is the similar scene in They Live where two grown, burly men are fighting over one of them putting on a pair of sunglasses. And yet that’s the thing, isn’t it? Catch-22 and other works like it certainly prove that darkness and absurdity can walk hand in hand. Stoicism and absurdity are also aspects that can go together… The Tick isn’t really a stoic sort but if you’ve never seen the movie Airplane!, the performances of Leslie Nielsen, Peter Graves and Robert Stack in that movie are perfect specimens of how being oh-so-serious can be oh-so-funny. The idea of “deadpan humor” is entirely built around this phenomenon, and in the world of Zombie Ranch Frank is probably my best example. The Tick has similarly flirted with a dark side to its humor that doesn’t undercut it so much as throwing it into greater relief. It can be a fine line to walk to avoid figuratively breaking your audience’s neck with the mood whiplash, but if you can get it right a bit of contrast can really add up to more than the sum of its parts and (bizarre as it is to say this) actually give a sense of verisimilitude over a piece that is relentlessly on one side or another.Calendar
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