UPDATING OCCASIONALLY (FOR NOW)

5 thoughts on “Issue 22 Cover”

  1. Dr. Norman (not a real doctor)

    Ooohhh … He looks – desperate.

  2. Zombatar

    No hat. He lost his hat. Which had a lot of his personality. Alert! Alert! We have a Lost Hat emergency! This is Not a Drill! Alert! Alert!

  3. Scarsdale

    Hang in there, I’m a retired fireman, and those pictures/videos have me sweating… The closest thing to a forest fire I ever fought was when a stupid tried to burn raked leaves on a windy day. 4 houses! Mostly grass and bush fires but, yeah.

  4. Clint

    Good news, we are back at home and there was a home to return to. It’s been a crazy week and a serious near miss seeing as several other homes on our block burned. Terrible stuff but the Ranch persists.

    1. Honzinator

      Welcome back.
      My mom’s whole town, Monrovia, seems to have survived so far, too, but it ain’t over yet.

Leave a Reply

Your email address will not be published. Required fields are marked *

*

 

Issue 22 Cover
Posted on January 8, 2025 by Dawn

Traditional post-issue comic cover! Episode 23 is currently TBA but we're hoping to have the first page out on January 22nd so as to not leave y'all hanging from the proverbial cliff for too long.

[1/9/2025 NOTICE: Some of you may know we live in the Greater L.A. Area and if you've heard about the wildfires here: yep, we're currently evacuated from our home and still unsure as to its fate. We grabbed our computers and backup drives so whatever happens we still have our files, but definitely expect some delays and cross your fingers that the worst we're going to end up having to do is throw food out of the fridge due to power loss.]

[1/11/2025 UPDATE: Good news, we are back at home and there was a home to return to. It's been a crazy week and a serious near miss seeing as several other homes on our block burned. Terrible stuff but the Ranch persists.]

Putting the -ism in literary criticism.

Posted on March 22, 2017 by Clint
As you might imagine, it’s a pet peeve of mine when comics are categorically dismissed as an art form or as having any merit beyond the purely commercial. This attitude has seemed to soften in the 21st Century with works like Watchmen earning literary recognition, but traces of it linger, as I was reminded just recently by this article in the Irish Times. The dismissed parties in this case are not comics authors, they are authors of prose crime fiction, but the details are all too familiar. In the midst of a sprawling essay by a former professor of English at a prestigious university praising one of his unsung proteges of creative writing, there is a sudden, almost non-sequitur lashing out:

“But authors make mistakes, too. Very few non-commercial writers know how to successfully advance their careers. Michael was no exception. He changed agents, publishers, gave up writing short stories – a critical mistake in this country, if you want to continue to be noticed as a literary writer – and attempted to jump into the crime genre to entice the vagrant reader. If bestsellers were easy to write there would be more of them. Michael, unfortunately, had, has, too much talent to succeed as a crime writer. He doesn’t possess the fatal lack of talent required. He asks too much of a reader. America really doesn’t possess enough of a literary culture anymore to maintain a writer like Michael.”

The article I linked above was a response to this portion, which in the original essay is truthfully only one paragraph out of many. And yet, what a terrible, bitter thing to write. What a sadly unchallenged view it still is, in certain circles of academia, that entire genres of fiction are somehow inherently inferior, a view often based in a few bad examples or just outright ignorance based on nothing but inherited or imagined prejudice. And as I thought about it, I thought how that seemed eerily familiar. Dismissal of genres (or in the case of comics, an entire medium) as inferior is nothing more or less than literary bigotry, with no more merit or justice to it than if you were to similarly discount say, certain minorities. Or women. Speaking of which–just in case you think I’m reaching with that comparison–the original essay had this to say as well regarding Michael Collins’ career success problems:

“One difficulty is that Michael, unlike the three writers mentioned above, is not a Dead White Male (a category anathema in US literature departments for the last 30 years), but a Live White Male, not a demographic entity that is much in fashion these days. Though globalised in actuality, Michael is not globalised by background or genetics.”

As a Live White Male myself, I will admit to not being much in fashion — at least in the sense that I love aloha shirts to what is, arguably, a fault, and have taken to wearing a pith helmet in the rain. But I halt well short of any implications that I am being unfairly passed over, and were it me being referenced in the paragraph above I would have to thank the professor for his efforts on my behalf, but ask him to stop “helping.” Anyhow, I’m not so bitter yet as to apply Sturgeon’s Law to people, but where literary criticism is concerned, literary bigotry is easily avoided by remembering that ninety percent of all fiction is crud, regardless of medium, genre, source or marketability. And keep in mind that they all also have that remaining ten percent which justifies the rest.