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9 thoughts on “540 – Trick Hello”

  1. Scarsdale

    Called it, she figured he’d do this, if by choice or by zombie voodoo. I’m sure the “friendlier” questioning will start soon, if she doesn’t just kill him out-right. Or just add him to the herd.

  2. Crazyman

    Gotcha! 😉

  3. Zombatar

    This turn of events is a surprise only to Eustace. And, maybe, Eustace’s subconscious. After all, this way he doesn’t have to actually risk actually attacking Suzie, which gives him a greater chance of survival than actually attacking her. I wonder what he was promised/threatened with?

  4. ConcordBob

    Not to nit-pick, but since sights are on target, finger should be on the trigger. Especially this close.
    The usual rule is “keep finger straight and off trigger until sights are on target”.

  5. Dr. Norman (not a real doctor)

    Not to nit-pick, but since that was current philosophies regarding trigger discipline have evolved.
    Of course, it will depend on who you get/got your training from.
    Experiments have determined that the fraction of a second to go from finger off the trigger to finger firing when appropriate is insignificant, and the risk of firing unintended is greatly reduced.

  6. Dr. Norman (not a real doctor)

    I did the google thing and I believe I saw how you reached this conclusion … but there are two parts to it – One should not omit the second part.
    “Trigger Finger Discipline: · The practice of keeping your finger “off the trigger” until your sights are on target AND YOU ARE READY TO DISCHARGE THE FIREARM.” (Caps are my own)

  7. Crazyman

    She wants him alive so she can question him; otherwise, he’d already be dead. 💀

  8. ConcordBob

    Good discussion on trigger discipline!
    His skin is very pale / gray. Is this malnourishment, or has he been poisoned with a mind-control drug? I would have to go back and look a t all various of skin tone.

  9. Dr. Norman (not a real doctor)

    Now can we satisfy my curiosity? Colt, Smith & Wesson, Ruger, or other timeline variant?

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540 – Trick Hello
Posted on February 26, 2025 by Dawn

Suzie hearkening back to the last time Eustace was faked out. She probably regrets not being able to sneak the Lawn Ranger into the bedcovers to be the victim of the stabbing.

And with that, it's Episode 23 time! Welcome back to the Ranch, everyone!

Putting the -ism in literary criticism.

Posted on March 22, 2017 by Clint
As you might imagine, it’s a pet peeve of mine when comics are categorically dismissed as an art form or as having any merit beyond the purely commercial. This attitude has seemed to soften in the 21st Century with works like Watchmen earning literary recognition, but traces of it linger, as I was reminded just recently by this article in the Irish Times. The dismissed parties in this case are not comics authors, they are authors of prose crime fiction, but the details are all too familiar. In the midst of a sprawling essay by a former professor of English at a prestigious university praising one of his unsung proteges of creative writing, there is a sudden, almost non-sequitur lashing out:

“But authors make mistakes, too. Very few non-commercial writers know how to successfully advance their careers. Michael was no exception. He changed agents, publishers, gave up writing short stories – a critical mistake in this country, if you want to continue to be noticed as a literary writer – and attempted to jump into the crime genre to entice the vagrant reader. If bestsellers were easy to write there would be more of them. Michael, unfortunately, had, has, too much talent to succeed as a crime writer. He doesn’t possess the fatal lack of talent required. He asks too much of a reader. America really doesn’t possess enough of a literary culture anymore to maintain a writer like Michael.”

The article I linked above was a response to this portion, which in the original essay is truthfully only one paragraph out of many. And yet, what a terrible, bitter thing to write. What a sadly unchallenged view it still is, in certain circles of academia, that entire genres of fiction are somehow inherently inferior, a view often based in a few bad examples or just outright ignorance based on nothing but inherited or imagined prejudice. And as I thought about it, I thought how that seemed eerily familiar. Dismissal of genres (or in the case of comics, an entire medium) as inferior is nothing more or less than literary bigotry, with no more merit or justice to it than if you were to similarly discount say, certain minorities. Or women. Speaking of which–just in case you think I’m reaching with that comparison–the original essay had this to say as well regarding Michael Collins’ career success problems:

“One difficulty is that Michael, unlike the three writers mentioned above, is not a Dead White Male (a category anathema in US literature departments for the last 30 years), but a Live White Male, not a demographic entity that is much in fashion these days. Though globalised in actuality, Michael is not globalised by background or genetics.”

As a Live White Male myself, I will admit to not being much in fashion — at least in the sense that I love aloha shirts to what is, arguably, a fault, and have taken to wearing a pith helmet in the rain. But I halt well short of any implications that I am being unfairly passed over, and were it me being referenced in the paragraph above I would have to thank the professor for his efforts on my behalf, but ask him to stop “helping.” Anyhow, I’m not so bitter yet as to apply Sturgeon’s Law to people, but where literary criticism is concerned, literary bigotry is easily avoided by remembering that ninety percent of all fiction is crud, regardless of medium, genre, source or marketability. And keep in mind that they all also have that remaining ten percent which justifies the rest.