UPDATING OCCASIONALLY (FOR NOW)
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12 thoughts on “540 – Trick Hello

  1. Called it, she figured he’d do this, if by choice or by zombie voodoo. I’m sure the “friendlier” questioning will start soon, if she doesn’t just kill him out-right. Or just add him to the herd.

  2. This turn of events is a surprise only to Eustace. And, maybe, Eustace’s subconscious. After all, this way he doesn’t have to actually risk actually attacking Suzie, which gives him a greater chance of survival than actually attacking her. I wonder what he was promised/threatened with?

  3. Not to nit-pick, but since sights are on target, finger should be on the trigger. Especially this close.
    The usual rule is “keep finger straight and off trigger until sights are on target”.

  4. Dr. Norman (not a real doctor)

    Not to nit-pick, but since that was current philosophies regarding trigger discipline have evolved.
    Of course, it will depend on who you get/got your training from.
    Experiments have determined that the fraction of a second to go from finger off the trigger to finger firing when appropriate is insignificant, and the risk of firing unintended is greatly reduced.

  5. Dr. Norman (not a real doctor)

    I did the google thing and I believe I saw how you reached this conclusion … but there are two parts to it – One should not omit the second part.
    “Trigger Finger Discipline: · The practice of keeping your finger “off the trigger” until your sights are on target AND YOU ARE READY TO DISCHARGE THE FIREARM.” (Caps are my own)

  6. She wants him alive so she can question him; otherwise, he’d already be dead. 💀

  7. Good discussion on trigger discipline!
    His skin is very pale / gray. Is this malnourishment, or has he been poisoned with a mind-control drug? I would have to go back and look a t all various of skin tone.

    1. On a prior page we discussed what he’s likely got running in his system. I suggested that it’s probably Borrochero (Brugmansia arbora) which is already used by Colombian cartels to eradicate the free will of their victims.

  8. Oh, the gray is just the dim light. Here is McCarthy eating dinner, and has the typical white dude flesh tone.
    https://www.zombieranchcomic.com/comic/531-inquisitional-etiquette/

    1. Yeah, I was trying to show that it was dark. But went with the old Hollywood method of adding a blue grey tint over everything.

  9. Dr. Norman (not a real doctor)

    Now can we satisfy my curiosity? Colt, Smith & Wesson, Ruger, or other timeline variant?

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540 – Trick Hello

Suzie hearkening back to the last time Eustace was faked out. She probably regrets not being able to sneak the Lawn Ranger into the bedcovers to be the victim of the stabbing.

And with that, it's Episode 23 time! Welcome back to the Ranch, everyone!

The Artist Budget

Dawn linked me a cartoon recently that I now can’t for the life of me find, so I’m going to do the worst thing possible and try to describe it to you from memory.

A comics writer and artist team are hosting a panel at a convention. In the first panel, the writer talks about how much freedom he has in the medium versus his previous work in television and film because comics “have no budget”.

In the second panel, he goes on to give an example of how he could write that an armada of 200 uniquely designed alien spacecraft are dropping out of a wormhole in hyperspace, and how in most media the expense of showing that would be prohibitive, but in comics it’s totally possible.

In the third panel, the artist (who has been silent but steadily growing more and more agitated) is leaping across the table at the surprised writer and screaming “I’LL KILL YOU!!”

If you haven’t worked collaboratively on a comic, you may not get it, but I’d wager every comics writer who is not also an artist goes through that phase where they think “comics have no budget” and whatever they can dream up is totally possible. There’s no actors to hire, no sets and props to build, no locations to rent. Especially if the writer comes from a background that previously had all those complications, then one guy or gal doing some drawing seems like the simplest, cheapest thing in the world. And that’s when you send your artist the “two hundred ships” script and they start plotting your painful death, assuming they don’t just laugh in your face. There is indeed a budget for comics, and it’s based around how much your artist can feasibly get done in the amount of time allotted. If you’re working with a career artist who has no other job, is solely dedicated to your project, and has a team of inkers, flatters, and colorists backing them up, then congratulations! That’s a nice, big budget to work with. You might just be able to get that gigantic, ultra-detailed splash page of your dreams. If, on the other hand, your artist is, say, your wife, and she’s got side projects and she has a day job and has to do all the penciling, inking, flatting and coloring herself, your comics budget is considerably more restricted and you should probably keep that in mind when plotting out your epic battle scene. Even if you can talk her into doing it, you should be prepared for it not to necessarily live up to the vision in your mind’s eye. Now I’m not saying this has happened– oh, who am I kidding? This absolutely happened. I had to learn to manage my expectations, even though I was living in the same house and was witness to everything she went through in the process of producing the illustrations. Sometimes your budget fluctuates at this level just because of basic human being stuff, like an unexpected illness or family emergency cutting into the time and energy available. Maybe you end up having to go back to your script and figure out a way to tell the same story at a lower “cost”. Maybe you even have to just skip a week, easing off the throttle so the whole engine doesn’t break down. I suppose that last is arguably a mixed metaphor but you get the idea. Hell, I was just reading today that Marvel’s Civil War II event comics which were supposed to finish up in Summer are going to have their end delayed until December. Such delays are not all that rare for books of even the major comics publishers, and those are the guys operating with what you would presume to be the biggest budgets. Now to be fair, I’m not advocating that the artist needs to be completely coddled. Even if it’s a second job for them, it’s still a job and there are certain expectations that should come with that. But a little understanding can go a long way, and it’s seductively easy to write “A big, epic splash page! 200 spaceships pour out of hyperspace, lasers and missiles firing!” and forget the effort and time it’s going to take for your partner to draw all of that. Remember the budget — even if it means you can’t get all those nifty special effects you want, it’s better than an insane artist trying to throttle you in front of a convention full of fans.