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An online webcomic about a group of cowboys/cowgirls and their Zombie herd.
An online webcomic about a group of cowboys/cowgirls and their Zombie herd.
5 thoughts on “534 – Compliments To The Cook”
Anonymous
Of course, the sleezer gave them expired food XD
Anonymous
Chuck acknowledged that the bucket “survival food” was old, with the potential of being bad, but admitting it still had the potential for being good! 🤣
Con in Pasadena? I had to check, Cali, not TX, tho they have smaller shows at the college, I figured not likely, as Pasadena/Deer Park is in the news again, for all the wrong reasons (again), after an SUV crashed into a LNG pipeline, turning it into a blowtorch.
Anonymous
Dangit! I *know* I put in my name and info!
Anonymous
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Episode 22
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534 – Compliments To The Cook
[Dawn update: still nursing her wrist, appointment with her doctor this week (Oct. 9) to figure out how serious things are and hopefully some form of treatment treatment. We'll keep y'all informed as we know more.]
Hearkening back to the events of page 269!
Meanwhile, this weekend we're bringing Zombie Ranch to the wide-open spaces. Comparatively. The trade volumes will be among our offerings at the annual Pasadena ARTWalk at Booth #32 in the shady lanes of Green Street.
A change in the weather…
1950s/1960s: Communism / Radiation / Space Invasion
1970s: Government Conspiracy / Street Crime
1980s: Nuclear War / Robots / Toxic Waste
1990s: Hackers / Genetic Engineering
2000s: Plague / Terrorism
Now I’m sure this could be picked apart. John Carpenter’s The Thing (1982) could be seen as at least as much of an anti-Communist parable as the original Invasion of the Body Snatchers was, but on the other hand fears of Communism arguably made a resurgence in the early to mid-80s, just as fears of an invasion from space (whether by aliens or asteroids) had a bit of a resurgence in the ’90s. A movie like Alien got in touch with more primal fears, though the conspiracy element of being betrayed by those in power was certainly there as well. And where, you might ask, do zombies fit in? Well, they keep being reimagined, don’t you think? In Night of the Living Dead the implied culprit was a crashed (and irradiated!) space probe. Dawn of the Dead doesn’t really concern itself with causation, but the outlaw biker gang certainly ties into ’70s zeitgeist. Return of the Living Dead puts the blame squarely on toxic waste, while the Resident Evil games are on the balance between genetic engineering and plague, with the 2002 film missing the Y2K mark but still throwing in a wacked out computer on top of everything. Finally the Dawn of the Dead remake and 28 Days Later kick off our current zombie situation of plague combined with being struck quickly and without warning in your own backyard. What’s next? Well, much as I hate to say it, I think The Day After Tomorrow was a film on the leading edge of the zeitgeist for the 2010’s. It might have still been a little early to really register, a fate which I don’t think there’s any argument for with Waterworld in the mid-90s. The U.S. economy was humming along in 1995, gas was 99 cents a gallon, and Waterworld looked completely ridiculous. By 2004 The Day After Tomorrow is a little bit more on people’s minds what with Al Gore banging the drum on climate change, but it still seems more laughable than anything. Now it’s 2015. Last year, Snowpiercer was on a lot of minds. This year Mad Max: Fury Road won’t let go of people’s imaginations (including mine), a movie filmed several years ago but releasing to general audiences right on the heels of things like California’s “one year left” drought scare and the Nestlé chairman’s declaration that people don’t have a right to water. Both of these news items were quickly downplayed as misinterpretations, but the fact they took hold so quickly and spread so far is telling. I believe that whether we give voice to it or not, we are starting to get really, really concerned with what we might have done to the planet’s environment, and what the consequences are going to be. Call it the Droughtpocalypse or even just more generally a Climatepocalpyse, but this is now becoming our vision of The End. Where in the 80s Interstellar‘s crisis necessitating a new world would have been all about nukes, now it’s all about our crops dying off. The term “cli fi” has even been coined to specifically denote science fiction dealing with catastrophic climate change. It’s a thing. And I’m postulating it will be the Next Big Thing, at least in terms of apocalypse fiction. Where will the zombies fit into that? I’m not quite sure yet, but they’ve proven a rather adaptable monster through all the previous eras. To paraphrase Jeff Goldblum, I’m sure they’ll (uh, uh) find a way…Calendar
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