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9 thoughts on “540 – Trick Hello”

  1. Scarsdale

    Called it, she figured he’d do this, if by choice or by zombie voodoo. I’m sure the “friendlier” questioning will start soon, if she doesn’t just kill him out-right. Or just add him to the herd.

  2. Crazyman

    Gotcha! 😉

  3. Zombatar

    This turn of events is a surprise only to Eustace. And, maybe, Eustace’s subconscious. After all, this way he doesn’t have to actually risk actually attacking Suzie, which gives him a greater chance of survival than actually attacking her. I wonder what he was promised/threatened with?

  4. ConcordBob

    Not to nit-pick, but since sights are on target, finger should be on the trigger. Especially this close.
    The usual rule is “keep finger straight and off trigger until sights are on target”.

  5. Dr. Norman (not a real doctor)

    Not to nit-pick, but since that was current philosophies regarding trigger discipline have evolved.
    Of course, it will depend on who you get/got your training from.
    Experiments have determined that the fraction of a second to go from finger off the trigger to finger firing when appropriate is insignificant, and the risk of firing unintended is greatly reduced.

  6. Dr. Norman (not a real doctor)

    I did the google thing and I believe I saw how you reached this conclusion … but there are two parts to it – One should not omit the second part.
    “Trigger Finger Discipline: · The practice of keeping your finger “off the trigger” until your sights are on target AND YOU ARE READY TO DISCHARGE THE FIREARM.” (Caps are my own)

  7. Crazyman

    She wants him alive so she can question him; otherwise, he’d already be dead. 💀

  8. ConcordBob

    Good discussion on trigger discipline!
    His skin is very pale / gray. Is this malnourishment, or has he been poisoned with a mind-control drug? I would have to go back and look a t all various of skin tone.

  9. Dr. Norman (not a real doctor)

    Now can we satisfy my curiosity? Colt, Smith & Wesson, Ruger, or other timeline variant?

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540 – Trick Hello
Posted on February 26, 2025 by Dawn

Suzie hearkening back to the last time Eustace was faked out. She probably regrets not being able to sneak the Lawn Ranger into the bedcovers to be the victim of the stabbing.

And with that, it's Episode 23 time! Welcome back to the Ranch, everyone!

A change in the weather…

Posted on June 10, 2015 by Clint
Back in 2011 I wrote about how we as human beings are obsessed with stories about the way we End, i.e. apocalypses of various flavors, and particularly how those flavors have evolved over the decades in modern pop culture media as the nature of our fears shifted. I have a thought still in my mind that the most commercially successful, or at least unforgettable tales of apocalypse are the ones that resonate with the time period they are released in. In a sense the best ones even represent a snapshot of that time period in general, even if their particular subject matter seems on the surface to be outlandish and nothing you could really be expected to take seriously. Basic physics precludes the idea of ants becoming the size of school buses, but that didn’t stop THEM! from touching a nerve, because the THEY of THEM! was a result of atomic radiation. I believe that origin is very important. The giant ants would have seemed far more ridiculous to the audience of the time, for example, were they discovered to have been the product of a vengeful voodoo curse. That’s a weird thing to state, but that’s the nature of science fiction and horror where you bend or break certain laws of reality as we know them, but if you don’t ground the story somehow it won’t elicit the appropriate visceral reaction from the audience. Tapping into the apocalyptic zeitgeist, by accident or design, can help with that. Just as a rough hypothesis, I think the post-WWII breakdown in the United States goes something like this:

1950s/1960s: Communism / Radiation / Space Invasion

1970s: Government Conspiracy / Street Crime

1980s: Nuclear War / Robots / Toxic Waste

1990s: Hackers / Genetic Engineering

2000s: Plague / Terrorism

Now I’m sure this could be picked apart. John Carpenter’s The Thing (1982) could be seen as at least as much of an anti-Communist parable as the original Invasion of the Body Snatchers was, but on the other hand fears of Communism arguably made a resurgence in the early to mid-80s, just as fears of an invasion from space (whether by aliens or asteroids) had a bit of a resurgence in the ’90s. A movie like Alien got in touch with more primal fears, though the conspiracy element of being betrayed by those in power was certainly there as well. And where, you might ask, do zombies fit in? Well, they keep being reimagined, don’t you think? In Night of the Living Dead the implied culprit was a crashed (and irradiated!) space probe. Dawn of the Dead doesn’t really concern itself with causation, but the outlaw biker gang certainly ties into ’70s zeitgeist. Return of the Living Dead puts the blame squarely on toxic waste, while the Resident Evil games are on the balance between genetic engineering and plague, with the 2002 film missing the Y2K mark but still throwing in a wacked out computer on top of everything. Finally the Dawn of the Dead remake and 28 Days Later kick off our current zombie situation of plague combined with being struck quickly and without warning in your own backyard. What’s next? Well, much as I hate to say it, I think The Day After Tomorrow was a film on the leading edge of the zeitgeist for the 2010’s. It might have still been a little early to really register, a fate which I don’t think there’s any argument for with Waterworld in the mid-90s. The U.S. economy was humming along in 1995, gas was 99 cents a gallon, and Waterworld looked completely ridiculous. By 2004 The Day After Tomorrow is a little bit more on people’s minds what with Al Gore banging the drum on climate change, but it still seems more laughable than anything. Now it’s 2015. Last year, Snowpiercer was on a lot of minds. This year Mad Max: Fury Road won’t let go of people’s imaginations (including mine), a movie filmed several years ago but releasing to general audiences right on the heels of things like California’s “one year left” drought scare and the Nestlé chairman’s declaration that people don’t have a right to water. Both of these news items were quickly downplayed as misinterpretations, but the fact they took hold so quickly and spread so far is telling. I believe that whether we give voice to it or not, we are starting to get really, really concerned with what we might have done to the planet’s environment, and what the consequences are going to be. Call it the Droughtpocalypse or even just more generally a Climatepocalpyse, but this is now becoming our vision of The End. Where in the 80s Interstellar‘s crisis necessitating a new world would have been all about nukes, now it’s all about our crops dying off. The term “cli fi” has even been coined to specifically denote science fiction dealing with catastrophic climate change. It’s a thing. And I’m postulating it will be the Next Big Thing, at least in terms of apocalypse fiction. Where will the zombies fit into that? I’m not quite sure yet, but they’ve proven a rather adaptable monster through all the previous eras. To paraphrase Jeff Goldblum, I’m sure they’ll (uh, uh) find a way…