UPDATING OCCASIONALLY (FOR NOW)

6 thoughts on “542 – Catching Up”

  1. Keith

    Some friction, but yeah. IRL, I’d like these two…they should have kids. 😉

    1. Dawn

      I might have to draw out what their kid would look like. First thought is that their kid would look like Ongo Gablogian from “It’s Always Sunny In Philadelphia”

    2. Scarsdale

      He’s pushing 60, she’s maybe 30, more likely less. Chuck is most likely shooting blanks, and besides, he’s talking to her like a baby sister than a love interest.

  2. ConcordBob

    It is really hard to have a favorite character, as there are so many good ones. But I think Rosa is my favorite. Chuck is a good accomplice in sneaking work, but not much for romance. Uugh.

  3. Otaku

    I mean, if they don’t have at least an inkling of what’s going down, I’m actually disappointed in Clearstream. If anything, I’m starting to wonder if they caught on and realized “Wait, we can use this.”

    Because of course they can. 😉

  4. Dr. Norman (not a real doctor)

    I’m way ahead of you – I’ve been waiting for you to catch up. From November 2020:
    I would hope for nothing less – her and Chuck have the potential for a great deal of positive mischief.
    Speaking of which, I received the email notifying me that my order for the NSFW “Chuck and Rosa Finally Do It” (age verification required) limited edition hardcover is going to be delayed due to the pandemic. I think it’s really cool that you’ll be adding some additional stretch goal goodies when it ships – thanks for all your story and art.
    As for the inscription, ” We owe it all to you ” will be sufficient.

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542 – Catching Up
Posted on April 9, 2025 by Dawn

Timing is everything…

Posted on October 9, 2013 by Clint
“Timing is everything” is a phrase you usually hear applied to comedy, but it’s equally applicable to tragedy. Maybe even more so. Consider the ending of Romeo & Juliet, if Romeo arrives 10 minutes later or Juliet awakens 10 minutes earlier. For that matter, there’s that message the Friar sends to Romeo telling him that Juliet is going to fake her death… the messenger gets delayed and those crucial words that could have changed everything are never read. My most recent poll asks the question, “Do you think Muriel would have left peacefully if Zeke had been handed over?” Not one person so far has given an assured Yes, but at least a handful voted that it was a possibility as long as things weren’t allowed to escalate the way they did. Unfortunately, people in possession of the information that could have changed the situation just didn’t know that it mattered, or didn’t get to convey it in time. There’s a TV Trope that sort of covers these situations, called Poor Communication Kills. I say ‘sort of’ because the way the trope is defined heavily weighs on the side of inexplicable and out of character lack of communication employed by a writer in order for a plot to proceed. That’s (hopefully) not what I’ve put together in our last arc… I set the locations, timing, and various egos (or lack thereof) up in such a way that a feasible tragedy could occur. Yes, it’s possible that communication could have set it right, but that’s the truth of most tragedies, including ones that take place in real life. Shakespeare knew that well, as did the Greeks (though those dramatists were helped out by their cultural audience being preconditioned to the idea of unavoidable fates). The trick, then, is to arrange the elements so that the characters have palatable reasons to not speak, or speak but not be listened to. Information that could defuse the issue arrives too late, or never at all… but for dramatic reasons it’s usually the former, so that the survivors know along with the audience that things have taken a terrible turn. And for my money, it’s even worse(better?) for us in the modern era where we feel fate is something that isn’t predestined and wonder on those small things that could have led to a happy ending instead. But so long as the characters’ actions feel right, and the timing is right (if also oh-so-wrong), then the tale should feel solid, no matter its conclusion.