UPDATING OCCASIONALLY (FOR NOW)

5 thoughts on “Issue 22 Cover”

  1. Dr. Norman (not a real doctor)

    Ooohhh … He looks – desperate.

  2. Zombatar

    No hat. He lost his hat. Which had a lot of his personality. Alert! Alert! We have a Lost Hat emergency! This is Not a Drill! Alert! Alert!

  3. Scarsdale

    Hang in there, I’m a retired fireman, and those pictures/videos have me sweating… The closest thing to a forest fire I ever fought was when a stupid tried to burn raked leaves on a windy day. 4 houses! Mostly grass and bush fires but, yeah.

  4. Clint

    Good news, we are back at home and there was a home to return to. It’s been a crazy week and a serious near miss seeing as several other homes on our block burned. Terrible stuff but the Ranch persists.

    1. Honzinator

      Welcome back.
      My mom’s whole town, Monrovia, seems to have survived so far, too, but it ain’t over yet.

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Issue 22 Cover
Posted on January 8, 2025 by Dawn

Traditional post-issue comic cover! Episode 23 is currently TBA but we're hoping to have the first page out on January 22nd so as to not leave y'all hanging from the proverbial cliff for too long.

[1/9/2025 NOTICE: Some of you may know we live in the Greater L.A. Area and if you've heard about the wildfires here: yep, we're currently evacuated from our home and still unsure as to its fate. We grabbed our computers and backup drives so whatever happens we still have our files, but definitely expect some delays and cross your fingers that the worst we're going to end up having to do is throw food out of the fridge due to power loss.]

[1/11/2025 UPDATE: Good news, we are back at home and there was a home to return to. It's been a crazy week and a serious near miss seeing as several other homes on our block burned. Terrible stuff but the Ranch persists.]

[1/22/2025 UPDATE: In the post-fire chaos we forgot to mention, no comic this week. Things are intact but there's still cleanup of smoke and ash to do, insurance to wrangle, etc. We had a really close call.

Since we're between issues anyhow we're going to push the start date of Episode 23 back to February 26th. Gives us some room to breathe (literally!).]

Once Upon a Time in the West

Posted on September 5, 2012 by Clint
Longtime readers will know of my love for Sergio Leone’s westerns, particularly The Good, the Bad, and the Ugly. I may have even gone so far as to call that particular film his masterpiece. If you’re familiar with Leone’s work, you might be about to argue with me… and I’ll admit, you might very well be right. As a wizened old Dagobah muppet once said: “there is another…”. 

Once Upon a Time in the West is that other, and many consider it not only to be the pinnacle of Leone’s career, not only one of the greatest westerns ever made, but one of the best films ever made, period. Why? That’s not something easily told. In fact, the first time that I watched it (and I can’t even remember the year), I don’t think I found it particularly memorable. Maybe I was too disappointed in the lack of Clint Eastwood, since I vaguely remember being in a big Man With No Name fanboy phase. Maybe it was a bad copy. I hadn’t revisited it since, even when I went into my western binge with the development of Zombie Ranch. Even after I found a 2-disc DVD set for $4 at my local Blockbuster’s closeout sale and decided “what the heck, I’ll own that”, I just had never gotten around to a viewing. It comforts me that I’m not alone and that articles like this exist, commisserating the notion that this is one of those movies you should see that you just (for whatever reason) don’t get around to seeing. Or even worse in my case, that I’d seen and (for whatever reason) remained unmoved. It was thus not really possible for me to jump in on the conversation with some of my film buff friends over the weekend as they hailed it as near perfection in cinema. I just nodded along, and then the next day decided I had a few hours to kill so I might as well dig out the DVD and give things a second look. That’s definitely one thing to warn people about going in, there’s a time commitment involved. And a commitment of attention. I’ve spoken before about how the old-school classics found a way to be interesting without needing to throw action scenes at us every minute, and Once Upon a Time in the West takes a stand on this right from the beginning, with a ten-minute sequence of three men waiting for a train. If that sounds reminiscent of the opening of High Noon, it is unabashedly so, homaged along with several other classics by a director freely admitting his influences… Leone doing what we might think of as Quentin Tarantino’s shtick, when the latter was still barely 5 years old. But still, this particular sequence is unique. Barely any dialogue. No music. No sound, besides the kinds of sounds you only notice when you’re waiting for something to happen. This is where I began to realize what one of the biggest problems was with my prior viewing. Last time, I had a crappy print shown on a tiny, crappy television. This time, I had it playing on a 40″ HDTV, and even though it wasn’t a Blu-Ray disc, the print was so clear and vivid that it about blows my mind to think it could get any better. Simply put, I think that in order to watch Once Upon a Time in the West properly, you need to be able to see the pores in every craggy face. You should have the capability to notice that one of Charles Bronson’s eyes has slightly different irises from the other, because you’ll have the time and close-ups to do so. Leone wants to tell you his story through his visuals, through every carefully framed shot… so trying to get the sense of that on a small and low-rez screen is like being half-blind. If you don’t lose yourself in the audio/visuals, you’ll be on the outside of the storytelling; Leone leans so heavily on that part of his equation over, say, plot and dialogue, that if you don’t get fascinated by the cinematics, it might just seem boring. Because really, it’s a much more somber film than his earlier westerns. And quieter. This is less a celebration of the untamed frontier than a funeral for it, albeit a moving one. The pacing reminds me a lot of Shane, with much of the runtime devoted to the anticipation of violence rather than its commitment. Or as the wikipedia article aptly puts it, “Leone was far more interested in the rituals preceding violence than in the violence itself.” In a way the opening of the film could be seen as a litmus test on the viewer. If you’re not being entertained by those three guys killing time waiting at a train station, then you might want to skip watching the rest, or at least save it for a day and time when you’re in the proper mood, with the proper environment. Let’s just say this time around, I had that going, and it makes all the difference. Once Upon a Time in the West is a deliberate film, as harsh and beautiful as the desert that makes up its setting, where something as simple as the drip of water onto a man’s hat takes on a mythic significance. Like Citizen Kane, it’s a movie first and foremost for those who love movies, the way Watchmen could be said to be a comic for those who love comics. Not to say the story isn’t compelling or the characters and dialogue aren’t memorable, but it’s one of those films that’s fascinating to approach from the perspective of how it was made as much as the subject matter being presented; a movie where the director’s every choice matters. And it’s a damn fine western, too. I’m glad I gave it a second look. If you haven’t even given it a first, consider doing so. Just don’t judge our Frank here by his namesake there; I don’t think either one would appreciate that.