UPDATING OCCASIONALLY (FOR NOW)

3 thoughts on “534 – Compliments To The Cook”

  1. Anonymous

    Of course, the sleezer gave them expired food XD

  2. Anonymous

    Chuck acknowledged that the bucket “survival food” was old, with the potential of being bad, but admitting it still had the potential for being good! 🤣
    Con in Pasadena? I had to check, Cali, not TX, tho they have smaller shows at the college, I figured not likely, as Pasadena/Deer Park is in the news again, for all the wrong reasons (again), after an SUV crashed into a LNG pipeline, turning it into a blowtorch.

  3. Anonymous

    Dangit! I *know* I put in my name and info!

Leave a Reply

Your email address will not be published. Required fields are marked *

*

 

534 – Compliments To The Cook
Posted on September 18, 2024 by Clint

[EDIT: Dawn is nursing a sprained wrist so we'll be pushing back a week. Hopefully join us for a new page on Oct. 9th]

Hearkening back to the events of page 269!

Meanwhile, this weekend we're bringing Zombie Ranch to the wide-open spaces. Comparatively. The trade volumes will be among our offerings at the annual Pasadena ARTWalk at Booth #32 in the shady lanes of Green Street.

May be an image of 1 person and text

 

OMG Spoilers!

Posted on January 11, 2012 by Clint
So this week’s comic revealed that yes, Mrs. McCarty and her posse are responsible for the current smoky state of the Z Ranch. It’s entirely possible that this surprised no one. But you know, that’s okay. I find there’s entirely too much emphasis these days on twist endings and endings in general, where the destination eclipses all thought of enjoying the ride to get there. There are a lot of people out there who have come to a point where, if someone reveals the ending of a book/movie/etc., they feel as if their whole experience is irrevocably ruined. In extreme cases they now refuse to read/watch/listen, because why bother? They know how it turns out. I’ve never been able to understand it. Is there really nothing to be said for the journey? Have our narratives become that fragile, that the moment Point B becomes clear, we lose all motivation to reach it? Keep in mind that for thousands of years, the exact opposite was the case. If you’ve ever been to a production of Ancient Greek or Shakespearean drama, they employ Prologues as a matter of course, such as the famous one that begins Romeo & Juliet:
Two households, both alike in dignity (In fair Verona, where we lay our scene), From ancient grudge break to new mutiny, Where civil blood makes civil hands unclean. From forth the fatal loins of these two foes A pair of star-crossed lovers take their life, Whose misadventured piteous overthrows Doth with their death bury their parents’ strife. The fearful passage of their death-marked love And the continuance of their parents’ rage, Which, but their children’s end, naught could remove, Is now the two hours’ traffic of our stage— The which, if you with patient ears attend, What here shall miss, our toil shall strive to mend.
If the language is giving you trouble, let me just put it this way: Romeo & Juliet commit suicide, and that tragedy will finally convince their two warring families to make peace. The play is telling you that straight up at the very beginning; yet if you posted a summary like this for a modern movie, to a modern internet forum, you’d be raked over the coals for ruining the plot. Shakespeare and Sophocles weren’t afraid of telling you “Dumbledore dies”, they used it as a hook to keep your interest as they brought you on the journey. Like the Columbo mysteries where the culprit and crime was always revealed at the beginning, making them not so much “whodunit?” as “howdhecatchem?” I had someone get legitimately mad at me for “spoiling” the end of the movie 300 for them, which for me makes as much sense as someone claiming you spoiled Titanic because you tell them the ship sinks. But I’m sure someone has done just that. This obsessive need to avoid spoilers at all costs has gotten way out of hand, and feeds back into creators who feel a need to throw in more and more ludicrous twists to keep their audience guessing. An infamous example comes from the DC Universe crossover event Armageddon 2001, where the identity of the mystery villain was leaked before the end, and rather than soldier on with the carefully constructed foreshadowing of the series so far, DC decided to chuck everything and insert a nonsensical last minute change to preserve the “surprise”. And that was back in 1991, before the Internet existed in its current form. Nowadays entire messageboards exist to comb over the latest clues in an ongoing series in near instantaneous fashion. If you have enough fans, then guess what? Some of them are going to pick up on the trail of breadcrumbs, and it’s only human at that point to want to show the path to others. Should you derail your narrative because they’ve figured out where it’s headed? I say no. I say, focus on the journey and let the destination stand. For one thing, there will always be things some consider blindingly obvious that others will completely miss. Never assume that “Everyone could see this coming” is any kind of true statement… usually it just means those who didn’t either remain quiet out of fear of being thought stupid, or aren’t really paying attention to forums and comments anyhow. For another thing, if the journey is good enough, then it shouldn’t matter, and those who figured it out ahead of time are going to just feel gratified rather than disappointed. Or maybe they’ll be disappointed… you can’t control every last opinion. But it’s better than chucking everything, isn’t it? But let’s all take a breath and calm down about the spoilers. Yes, we love to be surprised and taken in unexpected directions, but that shouldn’t be the only thing, or fiction eventually just dissolves into a senseless mass of WHAM! moments. They’re great, but as a writer don’t make them the end-all-be-all or you’ll end up with an unsustainable case of Shyamalan Syndrome. And as an audience member, take the fact you know the truth about Keyser Soze or Malcolm Crowe before you watch those movies as a liberation rather than a disaster. It’s a lot less stressful on both sides. Plus, even if you knew it was the McCarty gang, maybe you didn’t figure out it was their own bulldozer on fire…