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6 thoughts on “540 – Trick Hello”

  1. Scarsdale

    Called it, she figured he’d do this, if by choice or by zombie voodoo. I’m sure the “friendlier” questioning will start soon, if she doesn’t just kill him out-right. Or just add him to the herd.

  2. Crazyman

    Gotcha! 😉

  3. Zombatar

    This turn of events is a surprise only to Eustace. And, maybe, Eustace’s subconscious. After all, this way he doesn’t have to actually risk actually attacking Suzie, which gives him a greater chance of survival than actually attacking her. I wonder what he was promised/threatened with?

  4. ConcordBob

    Not to nit-pick, but since sights are on target, finger should be on the trigger. Especially this close.
    The usual rule is “keep finger straight and off trigger until sights are on target”.

  5. Dr. Norman (not a real doctor)

    Not to nit-pick, but since that was current philosophies regarding trigger discipline have evolved.
    Of course, it will depend on who you get/got your training from.
    Experiments have determined that the fraction of a second to go from finger off the trigger to finger firing when appropriate is insignificant, and the risk of firing unintended is greatly reduced.

  6. Dr. Norman (not a real doctor)

    I did the google thing and I believe I saw how you reached this conclusion … but there are two parts to it – One should not omit the second part.
    “Trigger Finger Discipline: · The practice of keeping your finger “off the trigger” until your sights are on target AND YOU ARE READY TO DISCHARGE THE FIREARM.” (Caps are my own)

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540 – Trick Hello
Posted on February 26, 2025 by Dawn

Suzie hearkening back to the last time Eustace was faked out. She probably regrets not being able to sneak the Lawn Ranger into the bedcovers to be the victim of the stabbing.

And with that, it's Episode 23 time! Welcome back to the Ranch, everyone!

Ups and downs of the “elevator pitch”

Posted on January 25, 2012 by Clint
Ever heard the idea of the elevator pitch? If you’d rather not let Wikipedia enlighten you, I can summarize by saying that, well… it’s a summary.

An elevator pitch (or elevator speech or statement) is a short summary used to quickly and simply define a product, service, or organization and its value proposition.

It takes its name from the idea that you can finish the proposal in no more than a minute’s time, for instance the time you might happen to be on an elevator ride with your busy boss or film producer or whatnot. I’m terrible at it. I remember at one of our early convention appearances where I tried to explain Zombie Ranch to an acquaintance of ours who works in the movie industry, and after I finished rambling he flat out told me, “You need to work on your pitch”. Nearly two years later, I still haven’t found that perfect short-form alchemy that is both snazzy to the ear and presents all of what I consider to be the key concepts and unique aspects of this comic. I have our introduction blurb which is the closest I think I’ve come, but it sounds better written than spoken and is probably way too long for a world where a lot of pitches are boiled down to statements like “Die Hard on a Space Station”. If I try that I end up with “It’s Lonesome Dove meets Hatari! meets Deadliest Catch meets Night of the Living Dead meets…” and DING! the elevator has arrived and there goes the boss. But if I just say “Deadliest Catch meets Night of the Living Dead“, or worse, “Cowboys vs. Zombies”, they might end up intrigued in entirely the wrong way, with long-term disappointment for everyone. I don’t know, maybe it’s actually a good thing that I have trouble condensing Zombie Ranch into a quick sound bite. Or maybe I’m just making excuses for being terminally long-winded. So hey, you out there… fair assumption that you read the comic, right? How would you sell someone on it in sixty seconds or less? Or would you even bother to try?