UPDATING OCCASIONALLY (FOR NOW)

6 thoughts on “542 – Catching Up

  1. Some friction, but yeah. IRL, I’d like these two…they should have kids. 😉

    1. I might have to draw out what their kid would look like. First thought is that their kid would look like Ongo Gablogian from “It’s Always Sunny In Philadelphia”

    2. He’s pushing 60, she’s maybe 30, more likely less. Chuck is most likely shooting blanks, and besides, he’s talking to her like a baby sister than a love interest.

  2. It is really hard to have a favorite character, as there are so many good ones. But I think Rosa is my favorite. Chuck is a good accomplice in sneaking work, but not much for romance. Uugh.

  3. I mean, if they don’t have at least an inkling of what’s going down, I’m actually disappointed in Clearstream. If anything, I’m starting to wonder if they caught on and realized “Wait, we can use this.”

    Because of course they can. 😉

  4. Dr. Norman (not a real doctor)

    I’m way ahead of you – I’ve been waiting for you to catch up. From November 2020:
    I would hope for nothing less – her and Chuck have the potential for a great deal of positive mischief.
    Speaking of which, I received the email notifying me that my order for the NSFW “Chuck and Rosa Finally Do It” (age verification required) limited edition hardcover is going to be delayed due to the pandemic. I think it’s really cool that you’ll be adding some additional stretch goal goodies when it ships – thanks for all your story and art.
    As for the inscription, ” We owe it all to you ” will be sufficient.

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542 – Catching Up

Ups and downs of the “elevator pitch”

Ever heard the idea of the elevator pitch? If you’d rather not let Wikipedia enlighten you, I can summarize by saying that, well… it’s a summary.

An elevator pitch (or elevator speech or statement) is a short summary used to quickly and simply define a product, service, or organization and its value proposition.

It takes its name from the idea that you can finish the proposal in no more than a minute’s time, for instance the time you might happen to be on an elevator ride with your busy boss or film producer or whatnot. I’m terrible at it. I remember at one of our early convention appearances where I tried to explain Zombie Ranch to an acquaintance of ours who works in the movie industry, and after I finished rambling he flat out told me, “You need to work on your pitch”. Nearly two years later, I still haven’t found that perfect short-form alchemy that is both snazzy to the ear and presents all of what I consider to be the key concepts and unique aspects of this comic. I have our introduction blurb which is the closest I think I’ve come, but it sounds better written than spoken and is probably way too long for a world where a lot of pitches are boiled down to statements like “Die Hard on a Space Station”. If I try that I end up with “It’s Lonesome Dove meets Hatari! meets Deadliest Catch meets Night of the Living Dead meets…” and DING! the elevator has arrived and there goes the boss. But if I just say “Deadliest Catch meets Night of the Living Dead“, or worse, “Cowboys vs. Zombies”, they might end up intrigued in entirely the wrong way, with long-term disappointment for everyone. I don’t know, maybe it’s actually a good thing that I have trouble condensing Zombie Ranch into a quick sound bite. Or maybe I’m just making excuses for being terminally long-winded. So hey, you out there… fair assumption that you read the comic, right? How would you sell someone on it in sixty seconds or less? Or would you even bother to try?