UPDATING OCCASIONALLY (FOR NOW)
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14 thoughts on “539 – A Knife In The Dark (END OF EPISODE 22)

  1. Why am I not surprised.

  2. Typical, it’s always someone else’s fault. Revenge is not just best served cold, but by stupid too. “This is all your fault!” Which is wrong, but in his head, it’s right.

    1. It’s also been heavily hinted he has already been brain washed by the zombie worshiping cult.

      1. Which, no doubt, made easier because of that under-lying feeling. People are always looking for a scape-goat…

    2. I don’t know if you got my callback by intent or not, but it’s great to see almost the same words echoed! https://www.zombieranchcomic.com/comic/203-breaking-worst/

  3. Honestly, probably the first time he’s ever taken control of and done ever in his life. There’s a reason why they kept him. Give a dog that’s been beat all its life a whiff of conference and control, you got a problem.

  4. Imagine his surprise when he stabs a pillow. 😜

  5. He isn’t in control, RC – he’s probably drugged to the very dilated eyeballs, probably with Datura. Back on p.443, Eustace is shown holding a Mojave Rattlesnake on a stick while the Brujefe milks it into a glass. Mojave venom A is a paralytic neurotoxin, like tetrodotoxin. Tetrodotoxin was thought to be part of the legendary Haitian “zombie powder”. The other part was Datura, which contains scopalamine, which messes with memory and concentration, and is supposed to render victims docile and suggestible.
    The question is, where did he get his current dose, and did a little drone whisper in his ear?

    1. Except Datura doesn’t do that. You’re thinking of the compound Scoplolmine (AKA the devil’s breath) which generally comes from a specific plant, Borrochero (Brugmansia arbora) that is native to Columbia that the gang in question probably would have had access to. It’s active compound obliterates free will, your conscious, you can function as normal but you are totally open to suggestion which is what happened to McCarty here. Datura just makes you trip mad balls and maybe die, but it does not make you a puppet.

  6. Dr. Norman (not a real doctor)

    Me lleva la chingada !

  7. I’m betting money there’s no one in that bed and it’s a ruse to get him caught.

  8. I agree, the question is, will she just shoot him, will she have him added to the herd, or keep him alive to question him?

  9. Dr. Norman (not a real doctor)

    [Zombatar] and [TKG], please resend cocktail recipe. My efforts to date yield only a foul taste and a mild buzz.

  10. Just a disclaimer before I answer that, I don’t recommend using datura or borrochero, the risks are a bit too high. I say this because the potency can vary from plant to plant within the same growing year and for some a real datura trip can be psychologically damaging. But anyway, the main way to use D. stramonium is to smoke it’s leaves and or seeds blended in with tobacco, I’d presume you can also do this with D. metel, which is the one commonly sold in garden centers as plants and seeds. The seeds are susually what folks focus on because as with many nightshades the active compound is centered there as a chemical defence against insects that would otherwise eat the seeds. The issue with D. metel is that it’s been hybridized for flowers and away from the normal Datura benefits so it might be all bitter and no bang so to speak. As for Borrochero or Brugmansia arborea, you really don’t want to go there. When I said it removes free weill and leaves you open to suggestion, it annihilates it for hours, and anyone can get you to do whatever so I really do not suggest it. Gangs and cartels use it to rob people blind already, you just don’t want that.

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539 – A Knife In The Dark (END OF EPISODE 22)

Happy Holidays, all! That's a wrap (heh) for Episode 22 just in time for a Christmas cliffhanger! Hope we don't twist the knife too much...

See y'all in 2025 when Zombie Ranch continues!

The other kind of paneling.

Unless you’re new to this blog, you’re probably well aware that I am… wordy. Locquacious. Trending towards maximum verbosity. Don’t worry about looking all those up, it’s just different ways of saying that for better or worse I tend to assault you with walls of text in making my points. Unless I try really hard, I seem genetically incapable of keeping things short and concise. The 140 character limit on Twitter is, along with my continuing lack of a smartphone, precisely why I don’t use Twitter much. I like my words. Now am I coherent? Probably not as much as I’d like to be, but it beats the hell out of when I’m speaking out loud, where I feel a near constant level of embarrassment over my mealy mouthed mumblings and stumblings and statements that sounded way better in my head than they do now that I’ve said them and oh god why doesn’t my brain work fast enough to edit properly before I open my yap? How does that saying (supposedly courtesy of Abraham Lincoln) go? “Better to remain silent and be thought a fool than to speak out and remove all doubt.” I reckon there’s a great majority of the population who feel the same way. But for communication to occur, someone has to take that risk.  If Honest Abe had hewn strictly to his own advice, one of the greatest speeches in U.S. history would never have been heard. And on a more topical front, panel programming at comic conventions would be little more than a handful of people at a table twiddling their thumbs while a bunch of other people stared at them in ever increasing boredom. Though at San Diego they might just be thankful enough to get off of their feet for awhile. To paraphrase The Good, The Bad, and The Ugly, there are two kinds of paneling in the comics world: the ones you use to make sequential art, and the ones you might eventually be part of where you have to keep the interest of a room full of strangers for 45 minutes. If you’re terrified of the latter, you’re not alone, but I’m here to tell you that that fear is natural. It is, in fact, good. How can I say this? If you’d rather hurl yourself off a roof than do public speaking, then how about this exchange from an interview with veteran movie stuntman Bob Fisher:

Being a stuntman for so long do you readily jump off building[sic] or get catapulted into cars without hesitation? Or is there a certain fear that you must consciously conquer?

A good friend of mine recently said, “If I lose that feeling (fear/butterflies) I need to quit doing stunts.” He meant that having fear is a good thing in that it keeps us in check, or from just jumping without thinking. And I agree. I like to think that I have a healthy respect of fear. I try and use it to focus and concentrate on the stunt. I still get excited whenever I get to do any stunt work, big or small.

I do not classify myself as an extravert. At a party full of strangers, I’ll often find a quiet corner to hide in. Yet this past Saturday, at the invitation of organizer (and The Other Grey Meat writer) James Maillet, I spent about seven hours’ worth of my time in live audio chat on various comics topics for his online convention (recordings are available here).  I loved it. I love the panels I’ve done at “normal” conventions as well. Is it scary? Do I feel foolish at times, especially after the fact? Of course. When I flew out to be part of CombatCon it was particularly terrifying, seeing as I was surrounded by people I considered actual professionals. But there’s that weird thing I discovered when I pushed through the fear. People were listening to what I had to say. Complete strangers were nodding thoughtfully at my blather and taking notes. Even fellow panelists, like the famous guy whose book I thought was one of the coolest things ever when I read it in college, seemed to value my input despite my questionable pedigree. I hope any of you in the creative fields have the chance to experience the same sort of exhilaration. No matter how unqualified or unpolished you think you are, chances are there is an audience out there that’s even less further along the path, and they’re eager to hear your experiences. You may find you know a lot more than you think, even if it’s just reciting a litany of mistakes you’ve made and want to help others avoid. It may take some promotion on your part, since the most surefire way to get on a panel is to propose one yourself. Many conventions are hungry for programming and it’s just a matter of exchanging email or proposal forms with the organizers. The worst that happens is a “no”. Why bother? Well, it’s an excellent way to stand out from the exhibit hall crowd, since you’ll inevitably have people coming by to check out your booth afterwards (so long as you leave them a way to find you!). Unless you’re a big name you’re probably better off not theming the panel around your creation(s), but heck, I’m sure plenty of us have ideas on “what makes a good villain?” that could make for interesting discussion, and if you have interesting things to say people will remember you. That includes your fellow panelists. Exchange some contact info from them, and when they’re putting together a panel of their own down the road they might just extend you an invitation. Of course, it’s no crime to avoid doing panels, especially if you’ve already got a lot on your plate. I can’t say I’ve gotten to the point where I try to put one together every time I go to a convention, especially if it’s my first time at that convention (and I’m still going through a lot of “firsts”). But if you do get the opportunity I highly recommend it. You might feel like the biggest nerd ever, but remember that your audience is most likely going to be a bunch of nerds as well, many of whom are probably impressed already that you had the courage to speak when they didn’t. Keep the fear, because as Bob Fisher said, the fear keeps you humble and keeps you thinking. Use it to focus, and contribute what you can. Maybe you can even do so in a much more efficient manner than I usually do… but hey, at least I can fill up those 45 minutes pretty well.