UPDATING OCCASIONALLY (FOR NOW)

8 thoughts on “539 – A Knife In The Dark (END OF EPISODE 22)

  1. Why am I not surprised.

  2. Typical, it’s always someone else’s fault. Revenge is not just best served cold, but by stupid too. “This is all your fault!” Which is wrong, but in his head, it’s right.

    1. It’s also been heavily hinted he has already been brain washed by the zombie worshiping cult.

      1. Which, no doubt, made easier because of that under-lying feeling. People are always looking for a scape-goat…

    2. I don’t know if you got my callback by intent or not, but it’s great to see almost the same words echoed! https://www.zombieranchcomic.com/comic/203-breaking-worst/

  3. Honestly, probably the first time he’s ever taken control of and done ever in his life. There’s a reason why they kept him. Give a dog that’s been beat all its life a whiff of conference and control, you got a problem.

  4. Imagine his surprise when he stabs a pillow. 😜

  5. He isn’t in control, RC – he’s probably drugged to the very dilated eyeballs, probably with Datura. Back on p.443, Eustace is shown holding a Mojave Rattlesnake on a stick while the Brujefe milks it into a glass. Mojave venom A is a paralytic neurotoxin, like tetrodotoxin. Tetrodotoxin was thought to be part of the legendary Haitian “zombie powder”. The other part was Datura, which contains scopalamine, which messes with memory and concentration, and is supposed to render victims docile and suggestible.
    The question is, where did he get his current dose, and did a little drone whisper in his ear?

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539 – A Knife In The Dark (END OF EPISODE 22)

Happy Holidays, all! That's a wrap (heh) for Episode 22 just in time for a Christmas cliffhanger! Hope we don't twist the knife too much...

See y'all in 2025 when Zombie Ranch continues!

My Combat (Con) experience

This is one of those things I’m still trying to get used to. There’s my Hawaiian-shirted self up there as part of a panel of established professionals, discussing the merits and techniques of using violence as a storytelling tool. I’m sitting in between Bob Goodwin, the fight choreographer for Batman Begins, and Neal Stephenson, the author of several globally published novels including Snow Crash. Snow Crash, a book my friends and I all gleefully nerded out over back in our college days. It’s one of those moments I found myself reluctant to advertise or even really talk about until it happened, because it just seemed so surreal. Combat Con wanted me on a panel with these guys? Me? Really? I kept waiting for the next email in the exchange to say “Oh, sorry, we thought you were someone else.” I mean, we’re not talking a huge established convention here, but an invite is an invite, and it’s not like the guests were all small fish. As for me, I didn’t care how small a fish I was, you put me on a panel and ask me to talk about storytelling and you better believe I’m going to give some input. I mean, once I had arrived in Las Vegas, and the convention, and was sitting there at the table, and Neal Stephenson had walked in and sat down next to me and talked to me, and an audience had gathered, and my brain finally, FINALLY stopped protesting that it was all just some strange, egotistical fever dream. You regular readers of this blog know how much I like to hold forth on various topics, but I never presume that anyone’s actually listening much. At a panel, it’s an unavoidable fact… if you’re talking, you’re being listened to, not just by the attendees but by your fellow panelists. You not only are making your points on the fly, you may have to defend them on the fly. I’m hoping I did all right with that. Dawn says I did, and of course she may be biased, but I do believe I made a worthwhile contribution to the debate, and considering some of the heavy hitters present, that makes me happy. So thank you Combat Con, and once again, thank you to any and every one of you that takes the time to read these weekly blatherings and maybe finds some interesting gems in the mix, and comments upon them. It helps even a small fish feel like he can make a splash in the big pond.