UPDATING OCCASIONALLY (FOR NOW)
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11 thoughts on “539 – A Knife In The Dark (END OF EPISODE 22)

  1. Why am I not surprised.

  2. Typical, it’s always someone else’s fault. Revenge is not just best served cold, but by stupid too. “This is all your fault!” Which is wrong, but in his head, it’s right.

    1. It’s also been heavily hinted he has already been brain washed by the zombie worshiping cult.

      1. Which, no doubt, made easier because of that under-lying feeling. People are always looking for a scape-goat…

    2. I don’t know if you got my callback by intent or not, but it’s great to see almost the same words echoed! https://www.zombieranchcomic.com/comic/203-breaking-worst/

  3. Honestly, probably the first time he’s ever taken control of and done ever in his life. There’s a reason why they kept him. Give a dog that’s been beat all its life a whiff of conference and control, you got a problem.

  4. Imagine his surprise when he stabs a pillow. 😜

  5. He isn’t in control, RC – he’s probably drugged to the very dilated eyeballs, probably with Datura. Back on p.443, Eustace is shown holding a Mojave Rattlesnake on a stick while the Brujefe milks it into a glass. Mojave venom A is a paralytic neurotoxin, like tetrodotoxin. Tetrodotoxin was thought to be part of the legendary Haitian “zombie powder”. The other part was Datura, which contains scopalamine, which messes with memory and concentration, and is supposed to render victims docile and suggestible.
    The question is, where did he get his current dose, and did a little drone whisper in his ear?

    1. Except Datura doesn’t do that. You’re thinking of the compound Scoplolmine (AKA the devil’s breath) which generally comes from a specific plant, Borrochero (Brugmansia arbora) that is native to Columbia that the gang in question probably would have had access to. It’s active compound obliterates free will, your conscious, you can function as normal but you are totally open to suggestion which is what happened to McCarty here. Datura just makes you trip mad balls and maybe die, but it does not make you a puppet.

  6. Dr. Norman (not a real doctor)

    Me lleva la chingada !

  7. I’m betting money there’s no one in that bed and it’s a ruse to get him caught.

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539 – A Knife In The Dark (END OF EPISODE 22)

Happy Holidays, all! That's a wrap (heh) for Episode 22 just in time for a Christmas cliffhanger! Hope we don't twist the knife too much...

See y'all in 2025 when Zombie Ranch continues!

Gold minors

First off, thanks to everyone so far who voted in the “favorite character” poll. Suzie’s winning by a landslide, which is probably a good sign considering she’s our leading lady, but I’m glad to see the rest getting a handful of votes as well (even a couple for poor ol’ Zeke!). I think the outcome I most feared would have been “Nah, no favorites” winning out, even though I explained at length last week how that was my own perspective as the writer. I’m hoping you readers who voted that way did so for similar reasons (valuing the ensemble as a whole) rather than just not caring. Of course, those who really didn’t care about any of the characters probably wouldn’t have bothered to vote. I’m thinking about doing a similar poll for the minor characters, just for curiosity’s sake, even though they’ve had hardly any development to go on. One of my friends told me the other day that his favorites in fiction, both in his own work and others, tend to be the background characters; the people that, in his words, “don’t do anything”. This doesn’t mean they can’t enable the plot or illustrate the themes of a piece, but they’re not central to the action itself… for instance, one of his examples was Hattori Hanzo from Kill Bill, who certainly is a figure important to the narrative, but is definitely not a lead hero or villain. Another person he brought up was The Jesus from The Big Lebowski, who I don’t remember doing or saying anything of particular import, but who I certainly remember. It’s an interesting thought. Again, I’m happy with the response to Suzie, because Suzie more than anyone embodies the Ranch, and the Ranch is the name of the game. But minor characters are fun to play around with. In some sense they’re like a writing exercise… can I make this person interesting even though I don’t have pages devoted to them? Deputy Jimmy and the Sheriff garnered some response despite being in only three comics so far. “Wild” Will hit a nerve with only a single panel, which is fantastic (and for the record, feeling like you want to punch him in the face is a perfectly valid reaction). You never know who people are going to latch onto, or maybe even who you yourself as a creator might get more interested in. Huck Finn started out second fiddle to Tom Sawyer, but eventually ended up star of his own book, a book mostly considered as far superior to its predecessor. Sitcoms have been spinning off supporting characters into their own series for decades (Gomer Pyle USMC, anyone?). Wolverine started out as a minor villain in The Incredible Hulk, and is now one of the biggest franchises in all comicsdom. Sometimes, a particularly memorable minor character will surprise everyone with how much momentum they possess. They become almost instant fan favorites. Given time, they don’t even just “spin-off”… they might even grow to take over the entire narrative. Example? Popeye, whose first appearance is recorded here. One of the most famous cartoon characters in all the world started off as a random guy helping the main characters with their seagoing commute. Nowadays people everywhere know of Popeye and Olive Oyl, but I doubt you’d find many who know of Olive’s brother Castor Oyl, or her former beau Harold Hamgravy, and the existence of a comic once titled “Thimble Theater” would be met with blank looks. I don’t plan on Zombie Ranch evolving into “The Deputy Jimmy Show” anytime in the foreseeable future, but I like the idea he might have an interesting story to tell, and maybe someday, we’ll tell it. It’s one of the most fun aspects for me of a series like Astro City or Fables, where you never know when the folks in the background of an early arc might get a turn in the spotlight later on. It’s not something to be forced, or even expected, just enjoyed, both as a creator and a reader. So here’s to the “do-nothings” — they might be minors, but we still dig ’em.