UPDATING OCCASIONALLY (FOR NOW)

6 thoughts on “541 – Graverobbers”

  1. Crazyman

    “Oh, *that* kind of grave robbing? Lead on, Chuck!” 😈

  2. Dr. Norman (not a real doctor)

    What? I say “What”?

  3. Keith

    Heh, this is going to be fun. Tradition says you need to drink at least one bottle of MD 20/20 before going to the graveyard.

  4. Honzinator

    At first I was thinking of something like a potato battery … nope!

  5. Scarsdale

    If you take a dead “D” cell battery, take out the carbon rod from the center, cut a strip of galvanized sheet metal about an inch (2.7 centimeters), take a small jar for canning, suspend the rod in the center and the strip on the side, pour in drain cleaner, you’ll get 1.2 to 1.4 volts DC. 10 of those connected to an inverter will give you 120 VAC at 0.5 amps. Do NOT keep them in the same area you live in however, the fumes will burn your lungs. Just something I learned in chem class in high school. You’d have to top-up the jars every few days, however. Any type of acid will work, even salt water. I think the teacher was a survivalist…

  6. nbaldbiz

    Scheffler, Hovland and Conners Share the Lead at P.G.A. Championship
    Jordan Spieth, who needs a victory at Oak Hill to complete the career Grand Slam, and Justin Thomas, who won last year’s tournament, just made the cut at five over.

    Give this article

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541 – Graverobbers
Posted on March 19, 2025 by Dawn

WonderCon 2025 is coming soon, so the next comic is planned for April 9th.

In the meantime, relevant previousness for this week's page:

https://www.zombieranchcomic.com/comic/223-surrounded-by-film-end-of-episode-9/

 

https://www.zombieranchcomic.com/comic/483-solar-systems/

Home is where the art is…

Posted on February 2, 2011 by Clint
This week’s comic was hopefully worth the wait for you faithful readers. No dialog from me, but my oh my was there a lot of work regardless. That probably doesn’t make much sense, since you’d think all the burden of work in a wordless page would be on the artist. And truth to tell, I’ve seen some comic scripts where what’s given to the artist is something along the lines of “Captain Cosmos and Lieutenant Walrus approach a spaceship”, but if I gave something like that to Dawn she’d probably want to murder me in my sleep… no, no that’s not right… she’d probably want to murder me while I was wide awake and could fully experience her ire. Not right away, perhaps, but certainly if she made her best guess at what ‘a spaceship’ represents, spending hours on drawing it, only to have me tell her she’d gotten my vision ALL WRONG. So as a comics writer, I think you have two options when dealing with your artist on details: Get specific, or be ready to accept that what they come up with may be wildly different than what was in your head. How specific? Well hell, folks, Dawn and I once discovered that we had an entirely different idea of what a “tank top” was. For her, a tank top was a spaghetti-strapped little number only women wear. For me, a tank top and an A-shirt (or in common American slang parlance, a “wifebeater”) were interchangeable terms. As you can imagine, my discussion with her on what Uncle Chuck should be wearing became much more complicated than I’d imagined. Therefore, despite having written up several paragraphs on how the Zane’s Ranch House should appear, I spent several more days finding reference images, and trying to piece them together with my meager Photoshop skills into something approaching that whole “writer’s vision” thing that she could then work from. These are probably the times where the people who both draw and write their comics as a solo act have it the easiest. Then again, they still have to try to live up to their own imaginations, so maybe they also have it the hardest. I still do remember talking to an artist of Fables at Comic-Con and asking them how Bill Willingham communicated what he wanted. Well, apparently Willingham is quite the artist in his own right and just draws it all for the artists to… re-draw? I don’t quite know how that works, but that was the process. I do know that when I asked what the options were for someone without drawing skills he told me “Learn to draw”. I was annoyed by the answer then, but looking back on it now… hmm, no, still annoyed. Can’t even truthfully say the guy meant well, with how it was said. Not one of my more positive convention experiences, and also such a disingenuous answer given how many comics out there are produced with only the barest hints given of what should be drawn. Again, though, I figure the flip side of that is the writer looks at the end result, finds it different than what he imagined, and just shrugs and cashes his paycheck. On the other end of the scale, Alan Moore is no visual arts virtuoso, but is (in)famous for his scripts spelling out minute details of character, setting, and how things should be meaningfully arranged from panel to panel. I’m somewhere in between, I suppose, gravitating towards one end of the scale or the other as the visual importance of a given comic strikes me. And then every so often, even though I still haven’t learned to draw, I’ll break out the Photoshop and do my best to pretend like I can. I wanted this one to be something special, especially after we made you all wait a week to find out why Rosa was saying “Wow”. I hope at least some of you agree with her.