UPDATING OCCASIONALLY (FOR NOW)
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12 thoughts on “540 – Trick Hello

  1. Called it, she figured he’d do this, if by choice or by zombie voodoo. I’m sure the “friendlier” questioning will start soon, if she doesn’t just kill him out-right. Or just add him to the herd.

  2. Gotcha! 😉

  3. This turn of events is a surprise only to Eustace. And, maybe, Eustace’s subconscious. After all, this way he doesn’t have to actually risk actually attacking Suzie, which gives him a greater chance of survival than actually attacking her. I wonder what he was promised/threatened with?

  4. Not to nit-pick, but since sights are on target, finger should be on the trigger. Especially this close.
    The usual rule is “keep finger straight and off trigger until sights are on target”.

  5. Dr. Norman (not a real doctor)

    Not to nit-pick, but since that was current philosophies regarding trigger discipline have evolved.
    Of course, it will depend on who you get/got your training from.
    Experiments have determined that the fraction of a second to go from finger off the trigger to finger firing when appropriate is insignificant, and the risk of firing unintended is greatly reduced.

  6. Dr. Norman (not a real doctor)

    I did the google thing and I believe I saw how you reached this conclusion … but there are two parts to it – One should not omit the second part.
    “Trigger Finger Discipline: · The practice of keeping your finger “off the trigger” until your sights are on target AND YOU ARE READY TO DISCHARGE THE FIREARM.” (Caps are my own)

  7. She wants him alive so she can question him; otherwise, he’d already be dead. 💀

  8. Good discussion on trigger discipline!
    His skin is very pale / gray. Is this malnourishment, or has he been poisoned with a mind-control drug? I would have to go back and look a t all various of skin tone.

    1. On a prior page we discussed what he’s likely got running in his system. I suggested that it’s probably Borrochero (Brugmansia arbora) which is already used by Colombian cartels to eradicate the free will of their victims.

  9. Oh, the gray is just the dim light. Here is McCarthy eating dinner, and has the typical white dude flesh tone.
    https://www.zombieranchcomic.com/comic/531-inquisitional-etiquette/

    1. Yeah, I was trying to show that it was dark. But went with the old Hollywood method of adding a blue grey tint over everything.

  10. Dr. Norman (not a real doctor)

    Now can we satisfy my curiosity? Colt, Smith & Wesson, Ruger, or other timeline variant?

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540 – Trick Hello

Suzie hearkening back to the last time Eustace was faked out. She probably regrets not being able to sneak the Lawn Ranger into the bedcovers to be the victim of the stabbing.

And with that, it's Episode 23 time! Welcome back to the Ranch, everyone!

Scents and sensibility

There are a lot of writing guides out there offering tips to those trying to step up their game with their own fictional offerings. There’s a lot of advice in those guides, presented with varying degrees of authority and mandate, and sometimes hoping you’ll be willing to pay for the privilege rather than just browsing the free ones (semi-pro tip: they most often say the same things). Now, writing guides are not useless, especially if you’ve never read any. In fact, I encourage people interested in writing to read a lot of them, despite the redundancies you’ll come across. The most fascinating thing about them is not what the professional, published, successful writers delivering them your way have to say that’s the same, but what they have to say that’s different. Sometimes they’ll blatantly contradict one another on the habits and techniques that will lead you down the golden path. Sometimes, they’ll even contradict themselves. If you experience enough lists of guidelines, you may get the feeling that the ultimate statement regarding writing is, “Don’t do this, it’s bad and never works out well… unless it does.” Putting it another way, it’s like the old argument about Jesus which usually ended in some cocky teenager getting smacked. “Cut your damn hair!” “Jesus had long hair!” “That’s different. He was Jesus!” So for writing, we have: “Shorten your damn sentence!” “Faulkner wrote run on sentences!” “That’s different. He was Faulkner!” This usually ends in some cocky creative writing student getting a fail. But to be fair, I do agree it’s at least important to know the rules before you think about breaking them. You might still end up with crap, but at least you’re experimenting rather than just being ignorant. So check out all those different authors and their different rules, and see which ones make sense for your work. And honestly, sometimes, you get little gems of insight you might not have thought about, and that a dozen other guides didn’t mention either (maybe that particular author thought they were too obvious? who knows). For example, relating to this week’s comic is a gem I picked up along the way, which sadly I can’t remember the proper attribution for anymore, and it regards the senses. To badly paraphrase the original tip, the claim was that one of the hallmarks of a beginning writer is that they rely too heavily on how things look or sound, and never give consideration to other elements of the characters’ environment, especially in terms of how things smell. Maybe this is because humans don’t prioritize smell all that much, or that we don’t especially expect it in our entertainment media. I mean, I don’t, I’m actually rather glad that Smell-O-Vision was a failed experiment in immersive cinema that Hollywood has yet to try again. But we do notice smells, and, good or bad, they do have a big influence on our memories and reactions. They can even show, more than anything else, the difference between a native and a newcomer to a certain place. To me, a barnyard or ranch is still an almost eye-wateringly overpowering experience, while for my wife that same scent is a comforting memory of growing up. Conversely, someone who grew up on a mountain farm would probably feel like choking on the streets of Downtown L.A., while I looked oddly at them and wondered what the problem was. So, imagine the sort of stench a zombie ranch would have hanging over it… and yet, that stench would be all but invisible to people who have worked there all their lives. Certainly it would be invisible to a TV Crew whose only contact is remote drones being operated from miles away. But oh, poor Rosa. She may be no stranger to zombies, but it’s like the difference between driving by a cow pasture and being next to a slaughterhouse on a hot day. Her chutzpah has been undone in dramatic fashion by the simple expedient of no longer being upwind. And if characters have their own lives, as many writers will claim, then somewhere, somewhen, she’s cursing me for having read that guide.