UPDATING OCCASIONALLY (FOR NOW)

8 thoughts on “539 – A Knife In The Dark (END OF EPISODE 22)

  1. Why am I not surprised.

  2. Typical, it’s always someone else’s fault. Revenge is not just best served cold, but by stupid too. “This is all your fault!” Which is wrong, but in his head, it’s right.

    1. It’s also been heavily hinted he has already been brain washed by the zombie worshiping cult.

      1. Which, no doubt, made easier because of that under-lying feeling. People are always looking for a scape-goat…

    2. I don’t know if you got my callback by intent or not, but it’s great to see almost the same words echoed! https://www.zombieranchcomic.com/comic/203-breaking-worst/

  3. Honestly, probably the first time he’s ever taken control of and done ever in his life. There’s a reason why they kept him. Give a dog that’s been beat all its life a whiff of conference and control, you got a problem.

  4. Imagine his surprise when he stabs a pillow. 😜

  5. He isn’t in control, RC – he’s probably drugged to the very dilated eyeballs, probably with Datura. Back on p.443, Eustace is shown holding a Mojave Rattlesnake on a stick while the Brujefe milks it into a glass. Mojave venom A is a paralytic neurotoxin, like tetrodotoxin. Tetrodotoxin was thought to be part of the legendary Haitian “zombie powder”. The other part was Datura, which contains scopalamine, which messes with memory and concentration, and is supposed to render victims docile and suggestible.
    The question is, where did he get his current dose, and did a little drone whisper in his ear?

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539 – A Knife In The Dark (END OF EPISODE 22)

Happy Holidays, all! That's a wrap (heh) for Episode 22 just in time for a Christmas cliffhanger! Hope we don't twist the knife too much...

See y'all in 2025 when Zombie Ranch continues!

Keeping a lid on your “voice”…

It feels like that to be an artist (which includes writers, yes) is to be constantly second-guessing yourself. To be an artist producing something for others is to be constantly second-guessing yourself but also forging ahead with it anyhow because otherwise you’re not going to get anywhere. To be producing art long-term is to eventually be wondering about that saying of either dying a hero or living long enough to see yourself become the villain. All those sins and pet peeves that drive you crazy when you’re a consumer… can you truly say you’ve avoided them now that you’re on the production side? Would you even be aware if you had slipped? If you do notice, are you guilty about it or (perhaps worst of all) do you now just shrug your shoulders and embrace the dark side? These are the kinds of thoughts that… well, they don’t keep me up at night, and perhaps that’s it’s own sign of degeneration. But I still get them while writing. For instance, one thing that can annoy me is if the author’s voice starts coming through the mouths of every one of their characters in a “samey” manner. Don’t get me wrong, an author’s work should have some mark of style to it, but omnipresent quippiness in dialogue can get old fast. And yet here I am recently wondering if the words coming out of Whitecloud are true to her or is she no different than Rosa’s teasing of Frank way back when? Is Frank himself having the occasional wordy (or at least semi-wordy) retort a betrayal of his character? Basically, am I shoving my own words into their mouths, chortling at my cleverness at the expense of consistency and verisimilitude? But the story mustn’t grind to a halt from artistic paralysis, so eventually the words have to get published. A lot of times it helps to set them down in a draft, walk away and come back later and see how it reads, and if it doesn’t make me cringe I feel better about it. And then there are times I still fret right up to the moment I have the comic locked and loaded. Sometimes beyond that. But hey, Sturgeon’s Law says 90 percent of it is crap anyhow. I’ll content myself with feeling skilled at least 10 percent of the time.