UPDATING OCCASIONALLY (FOR NOW)

5 thoughts on “542 – Catching Up”

  1. Keith

    Some friction, but yeah. IRL, I’d like these two…they should have kids. 😉

    1. Dawn

      I might have to draw out what their kid would look like. First thought is that their kid would look like Ongo Gablogian from “It’s Always Sunny In Philadelphia”

    2. Scarsdale

      He’s pushing 60, she’s maybe 30, more likely less. Chuck is most likely shooting blanks, and besides, he’s talking to her like a baby sister than a love interest.

  2. ConcordBob

    It is really hard to have a favorite character, as there are so many good ones. But I think Rosa is my favorite. Chuck is a good accomplice in sneaking work, but not much for romance. Uugh.

  3. Otaku

    I mean, if they don’t have at least an inkling of what’s going down, I’m actually disappointed in Clearstream. If anything, I’m starting to wonder if they caught on and realized “Wait, we can use this.”

    Because of course they can. 😉

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542 – Catching Up
Posted on April 9, 2025 by Dawn

Keeping a lid on your “voice”…

Posted on April 14, 2021 by Clint
It feels like that to be an artist (which includes writers, yes) is to be constantly second-guessing yourself. To be an artist producing something for others is to be constantly second-guessing yourself but also forging ahead with it anyhow because otherwise you’re not going to get anywhere. To be producing art long-term is to eventually be wondering about that saying of either dying a hero or living long enough to see yourself become the villain. All those sins and pet peeves that drive you crazy when you’re a consumer… can you truly say you’ve avoided them now that you’re on the production side? Would you even be aware if you had slipped? If you do notice, are you guilty about it or (perhaps worst of all) do you now just shrug your shoulders and embrace the dark side? These are the kinds of thoughts that… well, they don’t keep me up at night, and perhaps that’s it’s own sign of degeneration. But I still get them while writing. For instance, one thing that can annoy me is if the author’s voice starts coming through the mouths of every one of their characters in a “samey” manner. Don’t get me wrong, an author’s work should have some mark of style to it, but omnipresent quippiness in dialogue can get old fast. And yet here I am recently wondering if the words coming out of Whitecloud are true to her or is she no different than Rosa’s teasing of Frank way back when? Is Frank himself having the occasional wordy (or at least semi-wordy) retort a betrayal of his character? Basically, am I shoving my own words into their mouths, chortling at my cleverness at the expense of consistency and verisimilitude? But the story mustn’t grind to a halt from artistic paralysis, so eventually the words have to get published. A lot of times it helps to set them down in a draft, walk away and come back later and see how it reads, and if it doesn’t make me cringe I feel better about it. And then there are times I still fret right up to the moment I have the comic locked and loaded. Sometimes beyond that. But hey, Sturgeon’s Law says 90 percent of it is crap anyhow. I’ll content myself with feeling skilled at least 10 percent of the time.