UPDATING OCCASIONALLY (FOR NOW)

8 thoughts on “539 – A Knife In The Dark (END OF EPISODE 22)”

  1. Keith

    Why am I not surprised.

  2. Scarsdale

    Typical, it’s always someone else’s fault. Revenge is not just best served cold, but by stupid too. “This is all your fault!” Which is wrong, but in his head, it’s right.

    1. steelraven

      It’s also been heavily hinted he has already been brain washed by the zombie worshiping cult.

      1. Scarsdale

        Which, no doubt, made easier because of that under-lying feeling. People are always looking for a scape-goat…

    2. Clint

      I don’t know if you got my callback by intent or not, but it’s great to see almost the same words echoed! https://www.zombieranchcomic.com/comic/203-breaking-worst/

  3. RC

    Honestly, probably the first time he’s ever taken control of and done ever in his life. There’s a reason why they kept him. Give a dog that’s been beat all its life a whiff of conference and control, you got a problem.

  4. Crazyman

    Imagine his surprise when he stabs a pillow. 😜

  5. Zombatar

    He isn’t in control, RC – he’s probably drugged to the very dilated eyeballs, probably with Datura. Back on p.443, Eustace is shown holding a Mojave Rattlesnake on a stick while the Brujefe milks it into a glass. Mojave venom A is a paralytic neurotoxin, like tetrodotoxin. Tetrodotoxin was thought to be part of the legendary Haitian “zombie powder”. The other part was Datura, which contains scopalamine, which messes with memory and concentration, and is supposed to render victims docile and suggestible.
    The question is, where did he get his current dose, and did a little drone whisper in his ear?

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539 – A Knife In The Dark (END OF EPISODE 22)
Posted on December 25, 2024 by Dawn

Happy Holidays, all! That's a wrap (heh) for Episode 22 just in time for a Christmas cliffhanger! Hope we don't twist the knife too much...

See y'all in 2025 when Zombie Ranch continues!

It’s dialogical, Captain…

Posted on September 9, 2020 by Clint
So I believe I’ve mentioned that Dawn’s been (off and on) trying to write some comic scripts of her own, and this is where I’ve discovered certain faults of mine as a coach. Writing, especially writing dialogue, just seems to come naturally to me, and any time that’s the case it can be difficult to explain to someone else for whom it’s not as simple. I want to equate it to how it would be if I asked Dawn to teach me to draw faces. But then again any pro or semi-pro artist I’ve ever talked to, including Dawn, will tell you that drawing isn’t a matter of talent but of lots and lots of practice. Is it the same with writing? I’ve been in love with words nearly all my life but it’s not like I’m going through every paragraph I type over and over… Except, just now I backspaced and retyped that sentence about three times, and also realized it’s not really a sentence but evaluated the use of ellipses and decided to give a middle finger to Strunk & White because hell, it’s still a perfectly coherent thought being communicated. That’s a lot of thinking about a few words, isn’t it? I also have a habit of going back and editing things as fleeting as Facebook posts as I think of better ways to get my point across. Meanwhile one of the big reasons I never got into Twitter much was the inability to edit after the fact. Everything on Twitter is a first draft. It can be figuratively crumpled up and deleted (assuming no one has screenshotted it in the meantime) but it can’t be revised. I just went back and edited that second paragraph because on re-reading it I felt it had one too many uses of the word “over.” These blogs are something I consider highly informal, even disposable. Now try to imagine what I do with a composition I feel needs to be as perfect as it can be. The more I think about it the more I realize what an immense lifetime’s worth of prose I’ve composed, even if most of it will never see publication. Before the advent of graphical MMORPG’s I was an active participant in text-based multi-user roleplaying and I’ve recently poked at some old log files of play all the way back in 2002, and you know what? They hold up. I’m impressed with that Clint guy’s writing, much of which was improvisational and needed to be typed in real time within the span of a couple of minutes so that your scene partner(s) didn’t get horribly bored with you. I was having a great time, too, but now I’m wondering if it’s part of why I can rattle character dialog for Zombie Ranch off my keyboard with nary a hesitation. No secret method. Just practice, practice, practice.