UPDATING OCCASIONALLY (FOR NOW)

7 thoughts on “539 – A Knife In The Dark (END OF EPISODE 22)”

  1. Keith

    Why am I not surprised.

  2. Scarsdale

    Typical, it’s always someone else’s fault. Revenge is not just best served cold, but by stupid too. “This is all your fault!” Which is wrong, but in his head, it’s right.

    1. steelraven

      It’s also been heavily hinted he has already been brain washed by the zombie worshiping cult.

      1. Scarsdale

        Which, no doubt, made easier because of that under-lying feeling. People are always looking for a scape-goat…

    2. Clint

      I don’t know if you got my callback by intent or not, but it’s great to see almost the same words echoed! https://www.zombieranchcomic.com/comic/203-breaking-worst/

  3. RC

    Honestly, probably the first time he’s ever taken control of and done ever in his life. There’s a reason why they kept him. Give a dog that’s been beat all its life a whiff of conference and control, you got a problem.

  4. Crazyman

    Imagine his surprise when he stabs a pillow. 😜

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539 – A Knife In The Dark (END OF EPISODE 22)
Posted on December 25, 2024 by Dawn

Happy Holidays, all! That's a wrap (heh) for Episode 22 just in time for a Christmas cliffhanger! Hope we don't twist the knife too much...

See y'all in 2025 when Zombie Ranch continues!

Sounds of silence and sunk cost…

Posted on August 26, 2020 by Clint
More than seven years ago(!) I wrote a blog where I discussed sound effects in comics. I know because I was going to wittily(?) title this blog “The Sounds of Silence” before it occurred to me to check if I’d already done that. Sigh. Keep writing nearly every week for long enough and you’ll repeat yourself. I suppose at least I haven’t reached the point where I’ve stopped caring about whether or not I’m repeating myself. Anyhow, where was I? Oh yes, comic book sound effects. Every creator reaches those points where they decide whether a given panel of their comic is going to have a visible sound effect or not. Some never do this. Some indulge only rarely. Some fill their pages with all manner of BIFFBAMPOW BUDDABUDDA. The thing is, there’s another level once you commit to “making a noise” and that’s: what noise do I make? What combination of letters best represents glass breaking? Or an axe chopping into wood? Or a gun firing? And then because it’s comics, there’s even this unique question: what does that noise look like? And then one last question: the next time this sound happens in my comic, will it be the same? For consistency’s sake it should be, right? The representation of sound can be very subjective, but I’ve recently been pondering a certain decision I made way back when, and that’s the sound Oscar’s AK-47 makes when it fires, which I put down as various variations of BRR-RRR-RRT and I’ve stuck with that ever since. But damn, every time I hear an AK-47 firing these days I think, “Wow it doesn’t sound like BRR-RRR-RRT at all.” Yet here I am still doing it that way because consistency. If I changed it up would people notice? Or care? Am I indulging in a version of the sunk cost fallacy where I keep on with something that’s foolish (or at least is currently bothering me) because I feel like it’s too late to change? Yeah, hardly the kind of stuff that keeps most people up at night. It’s not really keeping me up at night either, to be honest, but sometimes it’s good to get it out there and hear what others think.